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出版の一年後の1887年 5月9日には、トーマス・ラッセル・サリヴァンと俳優のリチャード・マンスフィールドの翻案による戯曲（Dr. Jekyll and Mr. Hyde）がボストン美術館 の劇場で上演されており、マンスフィールド自身がジキルとハイドを演じている。
Like many stories of Robert Louis Stevenson’s era, Dr. Jekyll and Mr. Hyde shows a world dominated by men and most of the featured characters are male. The streets of London, where all this violence takes place, are painted by the writer as a masculine society, particularly full of academic, well-educated men who keep in each other’s confidence and entertain a certain level of professional respect.
“Chapter 2: The Search for Mr. Hyde” Utterson begins investigating the mysterious Mr. Hyde. He finds himself haunted by nightmares. He looks for Dr. Jekyll. “Chapter 3: Dr. Jekyll Was Quite at Ease” Utterson speaks to Jekyll, but doesn’t get the answers that he is looking for regarding Mr. Hyde. “Chapter 4: The Carew Murder Case”
Dr. Jekyll is hardly the kind of TV doctor with a megawatt smile we'd like to think he is. He creates Mr. Hyde so he can have both the respectable lifestyle he's become accustomed to and be a total degenerate in his off hours. He likes being Mr. Hyde. He loves being bad. Ultimately, he loves badness so much that Mr. Hyde takes over.
Mr. Hyde Character Analysis. is the other identity of Dr Jekyll, but is first known to us as a separate character. He appears in the gruesome anecdotes of Enfield and the maid, as a horrifically violent gentleman, with little remorse and, most noticeably, a strangely powerful appearance of evil and deformity.
