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WOMAN OF. by Małgorzata Szumowska, Michał Englert. synopsis. Adam is trying to be a good husband and father in a small town in Poland. But Adam starts to feel increasingly uncomfortable in his body, one that doesn't reflect his true identity. international title:
Sep 8, 2023 · Festivals. Sep 8, 2023 7:15am PT. ‘Woman Of…’. Review: Heartfelt Polish Character Study Unpacks a Trans Woman’s Life, From Cradle to Rebirth. Małgorzata Szumowska and Michał Englert ...
Świetnym pomysłem było pokazanie transpłciowości na tle zmian politycznych w Polsce i to się zdecydowanie udało. Problem jest natomiast taki, że Małgorzata Szumowska i Michał Englert biorą na warsztat za dużo tematów, więc film jest zdecydowanie za długi, a niektóre wątki pojawiają się w nim znikąd, nie wnosząc wiele do historii.
Nov 15, 2020 · “Never Gonna Snow Again,” which was chosen as Poland’s Oscar submission prior to its world premiere in Venice, marks a further step in cinematographer Michał Englert’s long collaboration ...
Sep 10, 2023 · Małgorzata Szumowska and Michał Englert have frequently made reference to Poland’s lack of progress with regards to LGBT rights – the lone EU member state with no laws on gender identity and refusing to recognise same-sex marriage – as being a fundamental reason for them deciding to write and direct Woman Of…. In its choice to centre its narrative around a trans protagonist, Aniela Wesoly, the 45-years spanning story against the changing backdrop of Poland from the 1980s to 2020s ...
In his film adaptation of Stanisław Lem's Kongres futurologiczny (The Futurological Congress), the creator of Waltz with Bashir focuses on a grim vision of future rather than on the narrative. Despite its impressive scale of The Congress and great performances by actors, the film remains an unfulfilled promise.
Sep 8, 2020 · Never Gonna Snow Again. 08/09/2020 - VENICE 2020: Forget Thanos, as in this dark Polish fairy tale by Małgorzata Szumowska and Michał Englert, it’s the Ukrainian masseur who does the snap. ] might be the oddest film in the Venice Film Festival ’s main competition this year. Which is, ultimately, a good thing. There is a welcome sense of ...
