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Charles Pierre Baudelaire ( UK: / ˈboʊdəlɛər /, US: / ˌboʊd ( ə) ˈlɛər /; [1] French: [ʃaʁl (ə) bodlɛʁ] ⓘ; 9 April 1821 – 31 August 1867) was a French poet who also worked as an essayist, art critic and translator.
May 14, 2024 · Charles Baudelaire was a French poet, translator, and literary and art critic whose reputation rests primarily on Les Fleurs du mal (1857; The Flowers of Evil), which was perhaps the most important and influential poetry collection published in Europe in the 19th century.
Charles Baudelaire is one of the most compelling poets of the 19th century. While Baudelaire’s contemporary Victor Hugo is generally—and sometimes….
Charles Baudelaire was a French poet, essayist, art critic, and translator. He is considered a foundational figure in the development of modernism and continues to be celebrated for his darkly beautiful and unconventional poetry.
Fleursdumal.org is dedicated to the French poet Charles Baudelaire (1821 - 1867), and in particular to Les Fleurs du mal (Flowers of Evil).
Charles Baudelaire. French Poet, Art Critic, and Translator. Born: April 9, 1820 - Paris, France. Died: August 31, 1867 - Paris, France. Movements and Styles: Impressionism. , Neoclassicism. , Romanticism. , Modernism and Modern Art.
Charles Baudelaire - The son of Joseph-Francois Baudelaire and Caroline Archimbaut Dufays, Charles Baudelaire was born in Paris in 1821.
May 23, 2018 · Charles Baudelaire is one of the most compelling poets of the nineteenth century. While Baudelaire's contemporary Victor Hugo is generally acknowledged as the greatest of nineteenth-century French novelists, Baudelaire excels in his expression of modern themes within structures of technical artistry.
fleursdumal.org - Comprehensive site on Baudelaire and his poetry, including images and sound, maintained by Supervert. Vive Voix - anthologie sonore de poésie - A repertoire of sound recordings of poetry in French, established and maintained by Wheaton College, Hopton, MA.
French poet and critic. As well as being a major poet, Baudelaire was one of the liveliest art critics of his day, passionate and partisan in his views. He thought that there are no universal aesthetic standards, but a different type of beauty for different peoples and cultures.
