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Pierre Arditi (born 1 December 1944) is a French actor, whose career in film, stage, and television has spanned six decades. He is known for his collaboration with director Alain Resnais in nine films, including Mélo (1986) and Smoking/No Smoking (1993), both of which earned him a César Award .
Pierre Arditi, né le 1 er décembre 1944 à Paris 6 e, est un acteur français. Acteur prolifique de théâtre, de cinéma et de télévision, il est l'un des acteurs fétiches d' Alain Resnais , qui l’a dirigé à dix reprises, et grâce auquel il remporta deux César : l'un pour Mélo , l'autre pour Smoking / No Smoking .
Pierre Arditi was born on 1 December 1944 in Paris, France. He is an actor, known for Mélo (1986), Smoking/No Smoking (1993) and Sauveur Giordano (2001). He has been married to Evelyne Bouix since 31 May 2010.
Pierre Arditi (born 1 December 1944) is an award-winning French film and stage actor. He is the brother of French actress Catherine Arditi. He has often played romantic, womanizing roles, similar to those played by Marcello Mastroianni. In 1987 he won a César Award for Best Actor in a Supporting Role for his role in Mélo, and in 1994, a César Award for Best Actor for his role in Smoking/No Smoking. Although his work has primarily been in French film and theater, Arditi is known in the ...
Pierre Arditi was born in Paris, France on 1st December 1944, the son of the painter Georges Arditi. At first, he had no inclination to become an actor and it was his younger sister Catherine (soon to become a successful actress) who encouraged him to take up the profession.
Pierre Arditi was born on December 1, 1944 in Paris, France. He is an actor, known for Mélo (1986) , Smoking/No Smoking (1993) and Sauveur Giordano (2001) . He has been married to Evelyne Bouix since May 31, 2010.
Mar 13, 2023 · Adieu Paris: Directed by Edouard Baer. With Pierre Arditi, Jackie Berroyer, Gérard Daguerre, François Damiens. Eight men in an old Parisian bar. They were the «kings of Paris»: national treasures, masterpieces in peril, whose humor and self-mockery have never changed.
