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Basu Bhattacharya. Director: Teesri Kasam. Basu Bhattacharya (1934- 1997), born into a Bengali family of priests, made his mark as one of the pioneers of parallel cinema in Bombay, India. He made his debut with the 1966 film Teesri Kasam, produced by the lyricist Shailendra. His last film was Aastha in 1997. His works mainly hovered around marital relationships and his marital trilogy 'Anubhav', 'Aviskaar' and 'Grihapravesh' is heralded as one...
Oct 22, 2015 · Basu Bhattacharya’s favourite theme was marital discord. He dealt with the subject through three films –– “Anubhav”, “Aavishkar” and “Griha Pravesh” –– but his work did not ...
Mar 7, 2021 · Keep watching, though, and you’ll realise that this early scene in Basu Bhattacharya’s Anubhav (1971) employs a language very different from most other narrative Hindi films of the time. A sense of disarray is created by the use of overlapping dialogues — rare in our cinema, though the American director Robert Altman was doing notable things with this technique around the same time — and naturalistic sound.
Basu Bhattacharya's films include Sparsh, Anubhav, Aavishkar, Teesri Kasam
Apr 8, 2023 · Basu Bhattacharya has Amar living in two worlds – the real world where he lives in an almost dilapidated house with Mansi and the other, where he sips tea with Sapna in a beautiful restaurant. He slips in and out of both these worlds without any awareness but when he catches himself stepping out of line, he wakes up with a jolt.
Mar 1, 2023 · Jyoti Basu balmed Buddhadeb Bhattacharya on 15 March 2007 that Buddhadeb failed to stop the police in Nandigram who openly shot innocent protesters. Soon, Buddhadeb Bhattacharya apologised for the same and stated in a media conference and stated that the Nandigram incident led several villagers to leave Nandigram due to these protests. He said,
Basu Chatterjee (10 January 1927 – 4 June 2020) was an Indian film director and screenwriter in Hindi Cinema.Through the 1970s and 1980s, he became associated with what came to be known as middle cinema or middle-of-the-road cinema filmmakers, such as Hrishikesh Mukherjee and Basu Bhattacharya, whom he assisted on Teesri Kasam (1966). Like their films, his films dealt with light-hearted stories of middle-class families often in urban settings, focusing on marital and love relationships.
