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Madhur Bhandarkar (born 26 August 1968) is an Indian film director, script writer, and producer. In 2016, Bhandarkar was honoured with the Padma Shri, the fourth highest civilian honour, by the Government of India.
Four time National Award-winning filmmaker. Best known for films like Chandni Bar, Page 3, Traffic Signal, Fashion, Heroine...
He is a very loyal devotee of the Hindu god- Siddhivinayak. Interestingly, in a male-dominated cinema, most of the protagonists in his movies are female.
In 1999, Madhur Bhandarkar embarked on his directorial journey with Trishakti and while the film remains forgettable, his journey has been the complete opposite. Mention to him the milestone...
Madhur Bhandarkar was born on 26 August 1966 in Bombay, Maharashtra, India. He is a director and writer, known for Chandni Bar (2001), Babli Bouncer (2022) and Page 3 (2005). He has been married to Renu Namboodiri since 15 December 2003.
Madhur Bhandarkar is an Indian film director, script writer, and producer. He made his directorial debut with Trishakti. Madhur Bhandarkar worked as a video cassette delivery boy in Khar, a suburb of Mumbai and delivered video cassettes on bicycle.
A self-made success story in Bollywood, filmmaker Madhur Bhandarkar weighs in on nepotism debate and says that an insider definitely has an easy access, if not success.
Sep 27, 2022 · Madhur Bhandarkar is known for telling stories that centre around female protagonists, and now with Babli Bouncer, which marks his digital debut, the filmmaker has done it once again. The film, starring Tamannaah Bhatia, dropped last week on Disney+ Hotstar.
Filmmaker Madhur Bhandarkar was one of the 'lucky' Bollywood celebrities to witness the historic moment at Ram Mandir, Ayodhya on January 22. While still in the city, he describe the vibe there...
Dec 26, 2023 · National Award-winning filmmaker, scriptwriter, and producer Madhur Bhandarkar spoke about the art of cinema at IFFI recently. Bhandarkar shared, “A film stems from an idea. Realistic cinema holds a significant place in the cinematic landscape.
