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John Huston blev født i Nevada, Missouri som søn af den canadisk-fødte skuespiller Walter Huston. Han begyndte sin filmkarriere som manuskriptforfatter og lavede primært film baseret på bøger og skuespil. Han medvirkede desuden som skuespiller i en række film og modtog en Oscar for bedste mandlige birolle i Otto Premingers Kardinalen (1964).
Aug 29, 1987 · John Huston was born on Aug. 5, 1906, in Nevada, Mo., the only child of Walter Huston and the former Reah Gore, a journalist. After their divorce, when he was 6, he often traveled with each ...
John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American movie director, producer, screenwriter and actor. He wrote the screenplays for 37 movies he directed, many of which are today known as classics such as; The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), Key Largo (1948), The Asphalt Jungle (1950), The ...
Irish-American actor and director John Huston chats about working on with Humphrey Bogart and Katherine Hepburn on 'The African Queen' and casting a young Ma...
John Marcellus Huston (August 5, 1906 – August 28, 1987) was an American film director, actor and sometime screenwriter. He is best known for having directed several great classic films, The Maltese Falcon, The Asphalt Jungle, The Treasure of the Sierra Madre, Key Largo, the The African Queen, and Prizzi's Honor (for which his daughter, Anjelica, won the Academy Award for Best Supporting Actress).
John Huston Facts. 1. Father and Son. John Marcellus Huston was born in Nevada, Missouri on August 5, 1906. He was the son of Rhea Gore, a sports editor, and Walter Huston, a vaudevillian who frequently went from theatre to film and back again. In fact, filmmaking was a family affair for the Hustons, and Walter ended up acting in a handful of ...
"The great screenwriter and director John Huston was also a memorable actor and talker. The rumbling, sonorous grandiloquence, the archly raised chin, the massive gaiety, with its suggestion of tricks or outright fraud--there were elements of a ripe, nineteenth-century theatricality in Huston's impish performances and echoes, as well, of florid, speechifying senators and tent preachers saving souls.
