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  1. 276. 2012. Fault tolerance techniques for high-performance computing. J Dongarra, T Herault, Y Robert. Fault-tolerance techniques for high-performance computing, 3-85. , 2015. 256. 2015. Scheduling strategies for master-slave tasking on heterogeneous processor platforms.

  2. Jan 15, 2021 · 20 esplanade Nathalie Sarraute, 18th arr., 75018 Paris, France – Good location – show map – Subway Access. +37 photos. Show on map. Located in Paris, Auberge de Jeunesse HI Paris Yves Robert is 0.9 mi from Sacré-Coeur. The accommodations is a member of the Hosteling International Network and offers a restaurant, bar, shared lounge ...

    • (6.4K)
    • 20 esplanade Nathalie Sarraute, 18th arr., 75018 Paris, France, 20 esplanade Nathalie Sarraute, France 75018
  3. Coming soon from Film Movement Classics, a new 4K restoration of Yves Robert's adaptation of Marcel Pagnol's MY MOTHER'S CASTLE.Learn more:https://www.filmmo...

    • 2 min
    • 1762
    • Film Movement
  4. Nov 17, 2009 · ABSTRACT. Full of practical examples, Introduction to Scheduling presents the basic concepts and methods, fundamental results, and recent developments of scheduling theory. With contributions from highly respected experts, it provides self-contained, easy-to-follow, yet rigorous presentations of the material.The book first classifies scheduling ...

  5. www.csfd.cz › tvurce › 2767-yves-robertYves Robert | ČSFD.cz

    May 10, 2002 · Yves Robert nar. 21.06.1920 Saumur, Francie zem. 10.05.2002 (81 let) Paříž, Île de France, Francie

  6. Yves Robert studied flute and trombone at the Music Conservatory in Vichy. Early in his career, Robert made quick transitions from Dixieland to hard bop to free jazz. His growing reputation earned him stints with some fine bands: Chris McGregor's Brotherhood of Breath, Bernard Lubat's La Compagnie Lubat, and the first edition of the Orchestre ...

  7. Feb 5, 2012 · Director Yves Robert’s second film is this charming adaptation of a popular late 19th Century novella “L’Affaire Blaireau” by Alphonse Allais. The film offers the same engaging portrait of provincial life that we see in the films of Marcel Pagnol and Robert’s later film La Gloire de mon père (1990), with colourful characters inhabiting a world that has long since passed away.