Search results
Apr 1, 2023 · ABOUT TYLER BATES. Tyler Bates regularly transitions from scoring some of the world’s biggest film and television franchises such as Guardians of the Galaxy and John Wick, to rocking massive audiences in the world of rock music, and back to the studio again writing and producing records with artists like HEALTH, Bush, Marilyn Manson, In This Moment, and Starcrawler, to name a few.
Jan 17, 2018 · Tyler Bates co-wrote and produced Manson’s THE PALE EMPEROR, which bowed at #6 on the Billboard Top 200 and Rolling Stone proclaimed, “#1 Metal Album of 2015.” “Cupid Carries a Gun” became the main title theme for WGN’s hit series, SALEM, while “Killing Strangers” figured prominently in Keanu Reeves’ JOHN WICK.
Jan 1, 2014 · Tyler Bates. SOUNDTRACK · 2014. Music plays a crucial role in Marvel’s film Guardians of the Galaxy. Its ‘70s songs are a key link to a character’s past, while composer Tyler Bates says his orchestral soundtrack serves “not only to be propulsive in the action sequences and to set up some of the comedic moments, but really to underscore ...
Tune into Tyler Bates album and enjoy all the latest songs harmoniously. Listen to Tyler Bates MP3 songs online from the playlist available on Wynk Music or download them to play offline. Discover new favorite songs every day from the ever-growing list of Tyler Bates’s songs.
Genndy Tartakovsky’s Primal - Full Album | Music by: Tyler Bates & Joanne HigginbottomAvailable Now: https://lnk.to/primalID #PRIMAL #AdultSwim #TylerBatesSu...
- 47 min
- 53K
- WaterTower Music
Apr 9, 2023 · An Interview with Tyler Bates. Published on April 9, 2023 by The Film Scorer. Fresh off of scoring the critical and box office hit action film John Wick 4, Tyler Bates joins The Film Scorer Podcast! Unsurprisingly, Tyler and I spend a decent amount of time talking about his work on John Wick; not just the latest film, but his work across all ...
May 3, 2022 · Tyler Bates: When we first spitballed score concepts with Ti West, it was unanimously apparent that we wanted to create a vocal-centric score framed with organic synthesizers and atmospheres that evoke a sonic aesthetic of ’70s arthouse horror films. The third substantial component of the score are the wakka wakka guitars — which provide a propulsive element to some of the more disturbing scenes in the film — and seventies porn music altogether.
