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Sriram Raghavan (born 22 June 1963) is an Indian film director and screenwriter who works in Hindi cinema. He is primarily considered an auteur of neo-noir action thrillers.
Sriram Raghavan is an Indian filmmaker who works in the Hindi film industry. He is regarded as a writer of neo-noir thrillers that fall under the action genre. He was brought up in Pune, where he attended St. Vincent's High School.
Jan 10, 2024 · ‘Merry Christmas’ director Sriram Raghavan speaks about Alfred Hitchcock’s influence on his filmmaking and his wish to create tank battle sequences in his next film ‘Ikkis’
Jan 5, 2024 · Raghavan’s globe-trotting spy actioner is the Bollywood equivalent of a soulless Marvel movie commissioned to a breakout indie film-maker. It was produced and headlined by Saif Ali Khan who, for a hot minute, seemed to be playing the big-budget superstar game.
Jan 11, 2024 · An Alfred Hitchcock fan, Sriram Raghavan creates dark, gritty worlds that feel familiar yet unique. As his much-anticipated film, Merry Christmas, hits theatres this Friday, let's revisit his earlier projects and how they crowned him the king of the thriller genre in Hindi cinema.
Jan 17, 2024 · Sriram Raghavan on Merry Christmas, its ‘clap-worthy’ climax and why comparison with Andhadhun unfair: ‘Some haven’t taken it kindly’. Starring Katrina Kaif and Vijay Sethupathi, Merry Christmas hit the screens last Friday, marking the director's return to the cinema halls after his 2018 blockbuster Andhadhun. Written by Justin Joseph Rao.
Apr 5, 2024 · Shaping Bollywood noir with Hitchcockian influences, Sriram Raghavan has built a career around cult favourite thrillers like Andhadhun, Johnny Gaddaar, and more recently, Merry Christmas.
Aug 17, 2018 · Sriram Raghavan | Manoj Patil. In Sriram Raghavan’s fifth feature Andhadhun, a blind pianist (Ayushmann Khurrana) gets embroiled in a murder. How can he report a crime that he hasn’t exactly...
Jan 10, 2024 · The traditional noir hero of classical Hollywood was a morally ambiguous, hard-boiled detective who searched for the ‘criminal’ that often became symbolic of the malaise girding the city, like in The Maltese Falcon (1941) or Out of the Past (1947).
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