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Rossella Drudi is an Italian writer, screenwriter, producer and director born in Rome. She trained in classical studies with a specialization in pedagogy and developmental psychology. She began writing stories for horror comics at the age of 12 under the pseudonym Ghibly, using a post office box from Rome to Milan.
Rossella Drudi, nota anche con lo pseudonimo di Sarah Asproon ( Roma, 19 ottobre 1963 ), è una sceneggiatrice, scrittrice e produttrice cinematografica italiana . È nota per aver scritto Teste rasate, Palermo Milano - Solo andata, La banda e Milano Palermo - Il ritorno. Scrive soggetti e sceneggiature spesso in sodalizio con il marito Claudio ...
Rossella Drudi is an Italian writer, screenwriter, producer and director born in Rome. She trained in classical studies with a specialization in pedagogy and developmental psychology. She began writing stories for horror comics at the age of 12 under the pseudonym Ghibly, using a post office box from Rome to Milan.
Apr 29, 2016 · 3. THERE WAS A SERIOUS LANGUAGE BARRIER ON THE SET. Drudi’s husband, Claudio Fragasso, co-wrote and directed the film, which was shot in Utah. Although Troll 2 was filmed stateside with an ...
531 Followers, 492 Following, 881 Posts - Rossella Drudi (@rossellaladrudi) on Instagram: "Screenwriter My birthday 19 October ♎ FB &Tw rosselladrudi@libero.it cinephil script _editor script_consultant filmaker I love my job "
Rossella Drudi is known as an Screenplay, Story, Writer, Actor, Dialogue, Dialogue Coach, Dialogue Editor, Teleplay, and Casting. Some of her work includes Troll 2, Palermo – Milan One Way, Night of the Zombies, Zombie Flesh Eaters 2, Rats: Night of Terror, After Death, Milan – Palermo: The Return, and Women's Prison Massacre.
Aug 23, 2009 · rossella drudi. @rosselladrudi. ·. Mar 16. Ha scelto la soluzione più facile. Poteva parlare in classe dell'esistenza di una figura sostitutiva, alternativa, altrettanto importante per i bambini che non hanno più un padre. O per chi non l'ha mai avuto. O per chi ha 2 mamme. Ma è sempre più facile togliere che unire.
