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Alain Resnais (French: [alɛ̃ ʁɛnɛ]; 3 June 1922 – 1 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct short films including Night and Fog (1956), an influential documentary about the Nazi concentration camps .
IMDb provides an overview of the life and career of Alain Resnais, a French director and editor known for his experimental and avant-garde films. Browse his credits, photos, videos, trivia, quotes and more on IMDb.
- January 1, 1
- Vannes, Morbihan, France
- January 1, 1
- Neuilly-sur-Seine, Hauts-de-Seine, France
May 30, 2024 · Alain Resnais, French film director, a leader of the New Wave of unorthodox, influential film directors appearing in France in the late 1950s. Resnais showed people at their most sensitive, confronting their own devious barbarism.
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1 day ago · Alain Resnais was a pioneering French film director known for his unique approach to memory and time. His career spanned over six decades, influencing many in the world of cinema. Early Life and Influences. Alain Resnais was born on June 3, 1922, in Vannes, France. Growing up, he developed an interest in cinema and literature.
Learn about the life and career of Alain Resnais, a French director and editor who made films such as Hiroshima Mon Amour, Same Old Song and My American Uncle. Find out his birth and death dates, family, trivia, quotes and more on IMDb.
- June 3, 1922
- March 1, 2014
19 titles. Sort by List order. 1. Hiroshima Mon Amour. 1959 1h 30m Not Rated. 7.8 (36K) Rate. A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war. Director Alain Resnais Stars Emmanuelle Riva Eiji Okada Stella Dassas. 2. Last Year at Marienbad.
Mar 2, 2014 · Resnais started making films after the war, a time when memory itself was, in France, an equivocal virtue—and he made memory his subject. And, from his quest to realize memory in...
