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Indian classical vocalist
- Ustad Faiyaz Khan (8 February 1886 – 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music.
en.wikipedia.org/wiki/Faiyaz_Khan
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Ustad Faiyaz Khan (8 February 1886 – 5 November 1950) was an Indian classical vocalist, an exponent of the Agra gharana of Hindustani classical music. [ 1 ] [ 2 ] According to SwarGanga Music Foundation website, "By the time he died at Baroda , he had earned the reputation of being one of the greatest and most influential vocalists of the ...
Ustad Faiyaz Khan (pictured), a tabla player, who played with three generations of Indian musicians, and was revered for his energetic yet elegant support with the taankari passed away in Sikar, Rajasthan on Wednesday morning. He had been hospitalised for the last month and a half due to meningitis. He is survived by two sons and five daughters.
Aug 22, 2021 · Ustad Faiyaz Khan (8 February 1886 – 5 November 1950) was an Indian classical vocalist, an exponent of the Agra Gharana of Hindustani classical music.
Ustad Faiyaz Khan was one of the most popular vocalists of Hindustani Classical music. He was a descendant of the Rangila gharana of Agra. He was born in February 1881 at Sikandara, near Agra, Uttar Pradesh.
Faiyaz Khan was a highly versatile vocalist and his canvas was not restricted only to Khayal. He could sing Dhrupad, Thumri and Ghazal also with same ease and expertise. Apart from Dhrupad Talim from Ghulam Abbas Khan, he got Dhamar Talim from his grand uncle, Ustad Kallan Khan.
Feb 6, 2022 · Ustad Faiyaz Hussain Khan strode the Indian music scene for the better part of the 20th Century like a much-loved giant. Sporting either a pugree or a Turki cap, a prominent moustache and rows of colourful, glittering medals, Khan was at once flamboyant, knowledgeable, powerful, sensitive and passionate—qualities that made him tower over not ...
About Faiyyaz Khan. From: PILLARS OF HINDUSTANI MUSIC by B.R. Deodhar (Popular Prakashan) [On Aftab-e-Mousiqui Khansaheb FAIYYAZ KHAN]: …It was around 1924 that I got to know Pandit Bhatkhande. Thereafter, I used to call on him occasionally. His favourite theme whenever we met was the decline and paucity of first-rate musicians.
