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Farhad started his career with his brother in 2002 as lyricists. After that they started writing dialogues since Shiva in 2006.
- Film
- Television
- Music Video
Dialogue Writer
In 2006, he started writing dialogues in movies. In 2008, he made his debut as a dialogue writer for the film Sunday. He has written dialogues for other Hindi films including Golmaal 3 (2010), Singham (2011), Chennai Express (2013), Housefull 3 (2016) and Coolie No. 1 (2020).
Film Writer
In 2011, he made his debut as a writer in films with Double Dhamaal. He has written other Bollywood films like Himmatwala (2013), Boss (2013), Street Dancer 3D (2020), Laxmii (2020), and Bachchhan Paandey (2022).
Film Director
In 2014, he turned into a director for the film Its Entertainment. He has directed the Bollywood films Housefull 3 (2016), Housefull 4 (2019), and Bachchhan Paandey (2022).
He made his debut as a director in television with the TV series Baby Come Naa in 2018. He has directed the TV series Booo: Sabki Phategi (2019), and Pop Kaun (2023).
Director
Farhad has directed the music videos Ek Chumma (2019), and The Bhoot Song (2019).
Actor
In 2019, he appeared as an actor in the song The Bhoot Song.
In 2006, he switched to becoming a dialogue writer. In 2019, apart from writing dialogues, he started film direction with the web series Booo Sabki Phategi. He has written dialogues for Hindi films including Golmaal 3 (2010), Singham (2011), Chennai Express (2013), Housefull 3 (2016) and Coolie No. 1 (2020).
- 5 May 1974 (Sunday)
- Black
- Black
I was already writing the screenplay and dialogues when the film started rolling. I don’t just write the dialogues, I also do stand-up act with music and sound effects so that one could see the whole film.
Here are a few tips: Strong Dialogue Tags: Sometimes, you need to be more specific than just “he said” or “she said”. Example: “Don’t be ridiculous,” scoffed Sarah. Action Beats: Break up chunks of dialogue with actions that show who’s speaking. Example: Tom slammed his fist on the table. “I won’t stand for this!”.
May 3, 2013 · The coming of sound to films in the early ‘30s marked the rise of ‘Indian’ cinema, edging out the advantage enjoyed by imported films in the silent era, when the largest share of the Indian ...
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Dec 15, 1999 · Farhād (Phraates, q.v.), like Mīlād and Bēžan, is among the Parthian princes who are transformed in the Iranian national epic into warrior-heroes at the Kayanian court ( Camb. Hist. Iran III, pp. 458 and 1157). Unlike Bēžan, however, Farhād plays only a minor part in the Šāh-nāma with no specific episode of his own.
