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Mar 22, 2013 · 2. Don’t use passive voice. “Timid writers like passive verbs for the same reason that timid lovers like passive partners. The passive voice is safe. The timid fellow writes “The meeting will be held at seven o’clock” because that somehow says to him, ‘Put it this way and people will believe you really know.
May 30, 2017 · Kill Your Darlings. "Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings." 13. Avoid Too Much Backstory. "The most important things to remember about backstory are that (a) everyone has a history and (b) most of it isn’t very interesting." 14.
May 4, 2019 · 13. Strive to write every day. “I like to get ten pages a day, which amounts to 2,000 words. That’s 180,000 words over a three-month span, a goodish length for a book.” -Stephen King. Every strong writer has a defined writing process. King’s process is to write in the morning.
6. Edit Ruthlessly. King promises that eliminating needless words and extraneous parts of the story, even when attached to them, will make your writing more powerful. “Kill your darlings,” he pleads. “Kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”.
Mar 16, 2014 · Avoid adverbs. “The adverb is not your friend.”. 4. Avoid adverbs, especially after “he said” and “she said.”. 5. But don’t obsess over perfect grammar. “The object of fiction isn’t grammatical correctness but to make the reader welcome and then tell a story.”. 6. The magic is in you.
Sep 13, 2024 · Stephen King’s writing routine: 10 lessons in being prolific. Everyone remembers their first interaction with a Stephen King story. When Stephen King types, something shudders through the fabric of reality. It’s tough to name a fiction writer—dead or alive—who has impacted culture and media more than him. But his success didn’t happen ...
Jan 19, 2023 · Avoid adverbs. “The adverb is not your friend.”. 4. Avoid adverbs, especially after “he said” and “she said.”. 5. But don’t obsess over perfect grammar. “The object of fiction isn’t grammatical correctness but to make the reader welcome and then tell a story.”. 6. The magic is in you.
