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- In the 1940s and 1950s, Columbia produced film noirs (Gilda, The Lady from Shanghai, All the King’s Men, The Big Heat) and military epics (The Bridge on the River Kwai, From Here to Eternity).
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The following is a list of feature films produced and distributed by the American studio Columbia Pictures from 1940 until 1949. [ 1 ] During these years Columbia was one of the eight major studios of Hollywood. Production was overseen during the decade by studio head Harry Cohn.
1. Music in My Heart. 1940 1h 10m Approved. 6.0 (631) Rate. Rita Hayworth co-stars with famed recording artist Tony Martin in this musical comedy featuring the music of Andre Kostelanetz and his orchestra. Following various comic misunderstandings, the two meet and fall for each other, but will lose their chance at happiness unless destiny calls.
Sep 17, 2024 · This is a list of all notable and most famous Columbia Pictures films, including movie posters when available. It answers the questions, "What movies did Columbia Pictures produce?" and "What films did Columbia Pictures distribute?" Everything from Rain or Shine to Outside These Walls is included on this list.
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In the 1940s and 1950s, Columbia produced film noirs (Gilda, The Lady from Shanghai, All the King’s Men, The Big Heat) and military epics (The Bridge on the River Kwai, From Here to...
List of Columbia Pictures films (1922–1939) List of Columbia Pictures films (1940–1949) List of Columbia Pictures films (1950–1959) List of Columbia Pictures films (1960–1969) List of Columbia Pictures films (1970–1979) List of Columbia Pictures films (1980–1989) List of Columbia Pictures films (1990–1999) List of Columbia ...
The Shadow (1940) Passed | 285 min | Action, Adventure, Crime. 6.8. Rate. The Shadow battles a villain known as The Black Tiger, who has the power to make himself invisible and is trying to take over the world with his death ray. Director: James W. Horne | Stars: Victor Jory, Veda Ann Borg, Roger Moore, Robert Fiske. Votes: 360. 3.
Jan 18, 2024 · The 1940s meant one thing: film noir. Columbia was already a dab hand at making every dollar count, and its extensive run of good-looking noirs throughout the 1940s and 1950s belied Harry Cohn’s notorious penny-pinching.
