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  1. Njan Prakashan (transl. I am Prakashan) is a 2018 Indian Malayalam-language satirical comedy film directed by Sathyan Anthikad and written by Sreenivasan and starring Fahadh Faasil in the title role. [2] Sethu Mannarkkad produced the film under the banner of Full Moon Cinema. [3] [4] The film was released on 21 December 2018 to positive reviews.

  2. Njan Prakashan: Directed by Sathyan Anthikad. With Fahadh Faasil, Sreenivasan, Nikhila Vimal, Devika Sanjay. Pining for a lavish life abroad, a lazy but lovable guy-next-door crafts a scam to avoid a career in nursing and find a wealthy spouse to secure a visa.

    • (5.3K)
    • Comedy, Drama
    • Sathyan Anthikad
    • 2018-12-28
  3. Njan Prakashan (transl. I am Prakashan) is a 2018 Indian Malayalam -language satirical comedy film directed by Sathyan Anthikad and written by Sreenivasan and starring Fahadh Faasil in the title role. Sethu Mannarkkad produced the film under the banner of Full Moon Cinema. Quick Facts Directed by, Written by ...

  4. Dec 23, 2018 · When he learns that a childhood friend, Salomi (a subtly mysterious Nikhila Vimal) -- also a nursing graduate -- is about to move to Germany, he is consumed by envy. It's his dream that...

  5. Dec 21, 2018 · Njan Prakashan Story: Prakashan aka PR Akash is a typical Malayali man who aspires to lead a luxurious life without too much effort. As he tries to achieve this aim, a few ‘insignificant’ figures walks into his life. Will they transform his character?

    • Fahadh Faasil
    • Sathyan Anthikad
  6. Dec 21, 2018 · With a high chance to be the season winner, 'Njan Prakashan' stands as the recent best of Sathyan Anthikad. Like how getting Prakashan's life was simple in theory, the movie 'Njan Prakashan', with a simple plot is a neat family entertainer that will make you smile.

  7. Jan 23, 2019 · Everything about Njan Prakashan is understated, from the lessons it offers the central character, to the throwaway line in a fleeting scene that takes a swipe at Kerala’s political parties, Shaan Rahman’s sweet melodies, and S. Kumar’s camerawork that zooms in and out of picture postcard settings with a casualness underlining the everydayness of...