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Ganpati Visarjan
- The Ganpati Visarjan in ‘Vaastav’ is one of the most emotionally charged sequences in Bollywood. Starring Sanjay Dutt as Raghu, the scene marks the end of the character’s tumultuous journey. As Raghu meets his tragic fate during the visarjan, the contrast between the joyous festival and his demise amplifies the emotional intensity.
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Vaastav: The Reality is a 1999 Indian Hindi-language action film [2] written and directed by Mahesh Manjrekar in his directorial debut, and starring Sanjay Dutt, Namrata Shirodkar, and Sanjay Narvekar in lead roles, with Mohnish Behl, Paresh Rawal, Reema Lagoo and Shivaji Satam in supporting roles.
Many of the film's scenes are extremely moving. For the demanding role of Raghunath, Manjrekar casts Sanjay Dutt, one of the industry's most respected and loved stars, yet one of its most underrated actors. Dutt is simply exceptional, portraying every shade of his character with sheer conviction.
Vaastav is not flawless like Satya, but it has a gripping storyline, good direction and characterizations, and most importantly - Sanjay Dutt. This is probably the best role Sanjay Dutt has got his hands on since Khal-Nayak, and he takes full adavantage of it.
- (15K)
- Action, Crime, Drama
- Mahesh Manjrekar
- 1999-10-07
Sep 6, 2024 · The Ganpati Visarjan in ‘Vaastav’ is one of the most emotionally charged sequences in Bollywood. Starring Sanjay Dutt as Raghu, the scene marks the end of the character’s tumultuous journey.
Over the years, the Mahesh Majrekar directorial debut has attained a cult status, while Dutt's character Raghu Bhai saw unprecedented popularity and became iconic. Who can forget that famous...
Oct 7, 2019 · 4 min read. i. On 7 October 1999, Mahesh Manjrekar directorial Vaastav: A Reality, starring Sanjay Dutt, released in India and soon became a cult film that not only reignited Sanjay Dutt’s fading...
Jun 28, 2018 · Sanjay Dutt was at once menacing and vulnerable as the hardened criminal Raghu in Mahesh Manjrekar’s Vaastav. An innocent young man goes astray and falls into the oft-quoted trap of what we like to call “bad company.”. It is a familiar premise for Indian cinema.
