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13-scene play
- Tughlaq, a 13-scene play by Girish Karnad, focuses on the 14th century Turko-Indian ruler. It is both a historical play as well as a commentary on the contemporary politics of the 1960s.
en.wikipedia.org/wiki/Tughlaq_(play)
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Tughlaq is a 1964 Indian Kannada language play written by Girish Karnad. [1] [2] [3] [4] [5] The thirteen-scene play is set during the reign of Muhammad bin Tughlaq. It was first staged in Urdu in 1966, as a student production at National School of Drama. Most famously, it was staged at Purana Qila, Delhi in 1972. [6]
Dec 18, 2023 · “Tughlaq” by Girish Karnad is a thought-provoking and intricately crafted play that explores the complexities of political power, the clash between idealism and reality, and the consequences of leadership.
Tughlaq is Girish Karnad’s second play after Yayati. Tughlaq was first published in 1964 in Kannada. Later on, the play has been translated into Urdu, English and many other Indian languages. The English translation of Tughlaq has been done by Karnad himself after being requested by Alyque Padamsee.
Oct 27, 2021 · Tughlaq deals with the ambiguous stand of the idealist Sultan Muhammad Tughlaq, the well known king in Indian history and offers “a psycho-political study of the protagonist of the play – his historicity, motives, vision and struggle to assert himself as the Sultan, as also how he takes his own downfall.”5 Girish Karnad himself showed his ...
Jun 6, 2021 · In 1975, Oxford University Press published Karnad’s English translation of Tughlaq. Karnad cited an essay by the Kannada critic and writer Kirtinath Kurtakoti, who was also a close friend, as...
Oct 11, 2021 · In the play he is depicted as a wise and foolish, kind and cruel, impulsive and farsighted emperor in one breath. His two major decisions- shifting of his capital from Delhi to Daultabad and change of currency- backfire and render him and his subjects homeless.
Tughlaq, which was published in Kannada in 1964, is Girish Karnad’s second play. His first play, Yayati , was a self-consciously existentialist drama on the theme of responsibility.
