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Addonizio’s poetry is known for its gritty, street-wise narrators and wicked sense of wit. Her early volumes of poetry, including The Philosopher’s Club (1994) and the verse novel Jimmy & Rita (1997), unflinchingly treated subjects ranging from mortality to love to substance abuse.
Kim Addonizio was born in Washington, D.C., on July 31, 1954. She received her BA and MA from San Francisco State University. Addonizio’s numerous books of poetry are Exit Opera (W. W. Norton, 2024); Now We’re Getting Somewhere (W. W. Norton, 2021); Mortal Trash (W. W. Norton, 2016); Lucifer at the Starlite (W. W. Norton, 2009); What Is ...
She is the daughter of tennis champion Pauline Betz and sports writer Bob Addie (born Addonizio). She briefly attended Georgetown University and American University before dropping out of both. [ 3 ] She later moved to San Francisco and received a B.A. and M.A. from San Francisco State University.
I flipped the genders, doing a fourteen-poem series in which the first eight enact a woman in love with a younger woman, and the next six her affair with an African-American man. I wanted to see what would happen if the genders were reversed, and the references made contemporary.
Kim Addonizio is the author of six poetry collections, two novels, two story collections, and two books on writing poetry, The Poet’s Companion (with Dorianne Laux) and Ordinary Genius. She has received fellowships from the NEA and Guggenheim Foundation, two Pushcart Prizes, and was a National Book Award Finalist for her collection Tell Me.
Apr 26, 2021 · Kim Addonizio is the author of thirteen previous books of poetry, fiction, and nonfiction, and was a finalist for the National Book Award. But her work is its own best introduction. Here, in its entirety, is a brief homage to Dorothy Parker, entitled “Résumé, which gives you a sense right away of Addonizio’s edgy truth-telling:
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In an interview with Fringe Magazine from 2010, Rachel Dacus asked Kim Addonizio, “What is the purpose of poetry?” She responded, “What is the meaning of life?” As a poet should, Addonizio answers subjective questions and the experience of living with poems, not soundbites.
