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- Set in Chennai and Hyderabad in the Tamil and Telugu versions respectively, the film depicts the confrontation between an anonymous caller who has planted bombs in the city and wants four terrorists to be released, and a police commissioner who tries to hunt him down.
en.wikipedia.org/wiki/Unnaipol_Oruvan_(2009_film)
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Sep 18, 2024 · The Tamil film 'Unnaipol Oruvan' was released in theatres on September 18, 2009. Starring Kamal Haasan and Mohanlal in the lead role, the film now completes 15 years. It is the official remake of ...
Unnaipol Oruvan (also released internationally under the translated title Someone Like You) is a 2009 Indian action thriller film directed by Chakri Toleti in his directorial debut. It stars Mohanlal and Kamal Haasan in the lead roles.
Unnaipol Oruvan: Directed by Chakri Toleti. With Kamal Haasan, Venkatesh Daggubati, Mohanlal, Lakshmi. A retiring police officer remembers a thrilling case of his life which is not recorded in any case files.
- (6.2K)
- Action, Crime, Drama
- Chakri Toleti
- 2009-09-18
Sep 21, 2009 · Tamil movie Unnaipol Oruvan starring Kamal Hassan and Mohanlal is a remake of the hit Hindi movie A Wednesday. Read Tamil movie Unnaipol Oruvan review to know more about the story and...
Dec 8, 2023 · “Unnaipol Oruvan” (Someone Like You), a 2009 Indian Tamil thriller film directed by Chakri Toleti, revolves around the conflict between Raghavan Maarar, a dismissed police commissioner, and an anonymous caller who has planted bombs across Chennai.
- Chakri Toleti
- Manoj Soni
- Kamal Haasan, Mohanlal
- Rameshwar S. Bhagat
Sep 18, 2009 · Unnaipol Oruvan is a 2009 tamil social thriller film directed by Chakri Toleti starring Kamal Haasan, Mohanlal in lead roles. The movie is produced by Kamal Haasan, Chandra Haasan, Ronnie Screwvala and musical score by Shruthi Haasan.
A crisply executed thriller, that’s powered by its solid screenplay, sharp dialogues and outstanding performances of Kamal Hassan and Mohanlal. Ganesh Venkatram is impressive in his role. The nuances of the police procedural, media sensationalism and the political sarcasm are captured engagingly.
