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Thomas examines a blurred figure on the ground under a bush in the blow-up, which he suspects is the dead body of a man shot by the gunman. As evening falls, he goes back to the park without his camera and finds the body, but is scared off by the sound of a twig breaking.
- An Intro to Transience
- Inklings
- An Intro to Elusiveness
- Advanced Transience and Elusiveness
- We’Re All Just Dust in The Wind
Transience is in full-swing with Thomas and his photoshoots. The poses are brief. The work itself flickers in and out of being work. Is it work? Is it play? How serious is Thomas as a photographer? In the middle of a shoot he just…walks out. Goes about his day. Has the models wait and wait. I mean, look at the gif below. Thomas goes from doing his ...
We finally get some threads to latch onto when it comes to the weird encounter in the park. Thomas photographing the woman and man leads to him being followed to a restaurant by someone else, his car being checked out. It leads to the woman showing up at his studio. To his studio being tossed. To him finding a dead body. We have a full blown murder...
All of Thomas’s efforts are foiled. He discovers nothing. Where should he even begin? Who in the world actually cares? A man’s been murdered and…what? No one seems to notice or mind. The movie ends without any resolution to the plot. Which could anger some viewers…as you’re left with nothing narratively satisfying. What happens next to Thomas? Is h...
What is happening in that final scene with the park and tennis and mimes and what have you? First, Thomas’s murder mystery is being interrupted by an imaginary game of tennis. Then, for a brief bit, he can “hear” what really isn’t there. No one is hitting a tennis ball. Following a cut to an aerial long shot, we see Thomas as a small figure in a la...
Thematic endings tend to reinforce minor moments we’ve witnessed throughout the movie, but bring them to a thematic climax. So while most of Blow-Up had transient and elusive things happening in Thomas’s life, the ending begs the question: what’s the ultimate point? Well, what’s the final thing we see? We go from a close-up on Thomas’s face, to a l...
1. The Ambiguous Ending: The ending of Blow-Up is deliberately ambiguous, leaving audiences with more questions than answers. As Thomas returns to the park where he took the incriminating photographs, he finds no evidence of the murder he witnessed.
Dec 19, 2012 · In 1975, he won the Pulitzer Prize for distinguished criticism. For years the debate has raged about the dead body that was, or wasn't, in the park in "Blow-Up." This letter seems to suggest a solution. -- Roger Ebert.
Sep 18, 2024 · If you’re a fan of classic movies, then you’ve probably heard of the iconic film “Blow-Up.”. Directed by Michelangelo Antonioni, this 1966 mystery-drama has earned its place in cinematic history. Set in swinging 1960s London, the movie follows a fashion photographer who accidentally captures a murder on film.
In the later photos, he finds a dead body lying the grass, with Jane running away from the camera. He is disturbed by a knock on the door, but it is the two girls again, with whom he has a romp in his studio and falls asleep.
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Mar 28, 2017 · The body of the victim, which the photographer sees and touches when he returns to the park at night, lit ostensibly by an eerie and illegible neon sign (which Antonioni had specially constructed for the film), has disappeared by the next morning, leaving only grass.
