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- ‘Night of the Living Dead’ also uses cannibalism as a metaphor for exploitative power relations. Thus, while it deals with a quite different set of social problems, Romero’s film can also be seen a sinister satire that exploits an outrageous premise in the interests of social and political critique.
www.atmostfear-entertainment.com/culture/cinema/night-living-dead-reevaluating-undead-classic/‘Night of the Living Dead’: Re-evaluating the Undead Classic
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Oct 26, 2018 · Night of the Living Dead takes us into the apocalypse almost in real time. The story is compressed into a single night, as the title suggests, but within that, the apocalypse, or at least our growing realisation – along with that of the characters – that apocalypse is taking place, happens in 90 minutes of almost continuous time.
‘Night of the Living Dead’ certainly encourages auteurist interpretation: Romero both wrote and directed the film and is, therefore, like the cinema “greats” Alfred Hitchcock, Howard Hawks, or John Ford, an auteur par excellence.
Sep 18, 2021 · Night of the Living Dead has one of the most unsettling and controversial endings of any horror movie, but it’s not because someone is getting ripped apart or anything else involving zombies...
- Philip Sledge
Night of the Living Dead is a 1968 American independent horror film directed, photographed, and edited by George A. Romero, written by Romero and John Russo, produced by Russell Streiner and Karl Hardman, and starring Duane Jones and Judith O'Dea.
- The Original Idea Was For An Alien Comedy.
- George Romero Was Heavily Inspired by I Am Legend.
- Duane Jones Rewrote His Character’S Dialogue.
- The Fake Blood Was Made on The Cheap.
- The Nude Ghoul Caused A Spectator Scene on Set.
- Three Different Crew Members Accidentally Set Themselves on Fire During Filming.
- Romero and Russo Both Made Cameos.
- Jones Fought Against An Alternate Ending For Ben.
In early 1967, writer/director George A. Romero, writer John A. Russo, and actor Rudy Ricci were working together at the Latent Image, their Pittsburgh-based commercial film company, when they decided it was time to try their hand at making a feature film. Though the effort eventually produced Night of the Living Dead, early concepts were very diff...
Armed with Russo’s flesh-eating concept, Romero went to work, pairing it with a story he’d been working on that the director said “basically ripped off” Richard Matheson’s apocalyptic horror novel I Am Legend. Russo later recalled that Romero returned with “about 40 really excellent pages,” including the opening in the cemetery and the arrival at t...
The character of Ben was originally written as an angry, rough truck driver, with somewhat crude dialogue to reflect that. When actor Duane Jones came aboard the production, he began revising the dialogue. “As I recall, I believe that Duane himself upgraded his own dialogue to reflect how he felt the character should present himself,” actor/produce...
Night of the Living Deadwas made on a budget of less than $150,000, which meant everything from props to sets had to be created on the cheap. Since the film was shot in black and white, the crew never had to worry what color the blood was, so either red ink or chocolate syrup was used, depending on the desired effect in each shot. For the scene in ...
Reasoning that at least some of the “ghouls” (Romero never referred to the creatures using the word zombies) would have woken up in the morgue and walked away naked, the crew opted for a single living dead extra to be nude on camera, and enlisted a local artist’s model for the job. When word spread that the production planned a nude scene during on...
To add to the realism of the zombie attack scenes, both Russo and actor Bill Hinzman—who played the iconic “Cemetery Ghoul” in the opening sequence—volunteered to be set on fire. Russo was lit on fire during the scene when the survivors are throwing makeshift Molotov cocktails at the undead, while Hinzman poured lighter fluid on his suit so he coul...
Night of the Living Dead’s co-creators make cameo appearances in the film. Russo played one of the ghouls who managed to reach into the farmhouse only to be struck with a tire iron, while Romero can be seen in the Washington D.C. sequences as a reporter.
One of the film’s most famous elements is its grim ending, in which Ben, having survived the night, is shot by the sheriff’s zombie-hunting posse and thrown on the fire. At one point, a happier ending for the film was considered, but Jones fought it and won. “I convinced George that the Black community would rather see me dead than saved, after all...
Oct 29, 2020 · Romero himself couldn’t be kept down; he followed Night of the Living Dead with Dawn, Day, Land, Diary, and Survival of the Dead. It’s a film and a concept that — like its monstrous subject — has a tendency towards survival. But why did such an enduring artwork emerge just when it did?
Oct 1, 2013 · Zombies are merely relentless; humans can be sadistic. Night of the Living Dead created the template. After Ben — the film's black protagonist, played by Duane Jones — rescues the hapless...
