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Sep 15, 2016 · Review: Michelangelo Antonioni’s melancholy classic ‘La Notte’ gets a stunning restoration. By Sheri Linden. Sept. 15, 2016 4 AM PT. Michelangelo Antonioni was a cinematic cubist. Fragmenting...
Jan 20, 2021 · Bookended by L’avventura (1960) and L’eclisse (1962), it’s in Antonioni’s 1961 film, La notte, that his critique of the rich jetsetters hits its mark most powerfully.
Sep 9, 2016 · Similarly charting the gradual deterioration of a relationship against an intimidating, harshly revealing backdrop, La Notte takes as stylistic blueprint Rosselini’s earlier modernist fairy tale, but rather than conceptually intervene when discord threatens to permanently engage the gravity of his characters’ situation, Antonioni instead ...
La Notte is considered the central film of a trilogy beginning with L'Avventura (1960) and ending with L'Eclisse (1962). [1][2][3] It was one of Stanley Kubrick 's 10 favorite films and received 4 votes from critics and 6 votes from directors in the 2012 Sight & Sound greatest films poll.
La Notte (The Night), the 1961 film by Michelangelo Antonioni, and the second of his Alienation Trilogy, after L'Avventura and before L'Eclisse, is a huge artistic leap up from its predecessor film. It's not so much that L'Avventura was such a bad film- it's not.
Oct 24, 2013 · There’s something quite bitter about La Notte, the jabs of which are at once somewhat closer (to the belt) and more distant (Antonioni standing further from it). L’Avventura had its share of fun with the soon-to-be-ruling class, but didn’t question the anguish at the center of their souls.
Jun 13, 2006 · Reviews. La Notte Review. Novelist Giovanni Pontano and his wife Lidia visit his dying editor, Tommaso, at the start of an indolent day, which culminates in them contemplating infidelity with...
