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- A moderate commercial success, it was awarded the All India Certificate of Merit for Best Feature Film, it became the first film to win the Filmfare Best Movie Award and the first Indian film to win the International Prize at the Cannes Film Festival, after Neecha Nagar (1946), which won the Palme d'Or (Grand Prize).
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Jan 13, 2019 · The thing that strikes you the most while watching Do Bigha Zamin is Roy’s near-sadistic and relentless storytelling. In his liberal and intellectual quest to tell this inherently socialism-coloured story, Roy makes it claustrophobic for the viewer, allowing not a ray of light to enter.
- Amit Upadhyaya
Do Bigha Zamin (/ ð oʊ b iː ˈ ɡ ɑː z ə m iː n / transl. Two bighas of land ) [ a ] is a 1953 Indian Hindi -language drama film directed by Bimal Roy . Based on Rabindranath Tagore 's Bengali poem " Dui Bigha Jomi ", the film stars Balraj Sahni and Nirupa Roy in lead roles.
Based on a Bangla poem by Rabindranath Tagore called Dui Bigha Jomi, it was made by Bimal Roy in 1953 — exactly 70 years ago — after he was inspired by the Italian masterpiece of Vittorio De...
Do Bigha Zamin, a 1953 production, directed by Bimal Roy, was one of the earliest films which brought into existence the parallel cinema movement in India. The neo-realist overtures in the film were i...
"Do Bigha Zamin” kicked off India’s Neo-realistic cinema which gained traction with Roy’s next movies along with another young film maker named Satyajit Ray and Roy’s mentees Hrishikesh Mukherjee and Basu Bhattacharya.
Mar 21, 2022 · Do Bigha Zamin (REVIEW) Continuing my deep dive into the wonderful world of parallel cinema, I decided to take a little break from the vast array of Satyajit Ray classics in order to expose myself to the filmmaking techniques and story weaving abilities of some other directors of Desi descent.
Feb 7, 2013 · Do Bigha Zamin (Two acres of land) is a 1953 film directed by Bimal Roy. Inspired by Italian neo-realistic cinema, this film is known for its socialist theme and is an important landmark in the early parallel cinema of India, also considered as a trendsetter.
