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      • With a fragile beauty and sweetness that's marred by a slight story and underdeveloped characters, this redemption fable is heartwarming but ultimately too insubstantial to pack a major punch.
      www.commonsensemedia.org/movie-reviews/welcome-to-marwen
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  2. Dec 20, 2018 · Culture. Welcome to Marwen is just about the worst movie anybody involved in it has ever made. Worse, the Robert Zemeckis film — which stars Steve Carell, Leslie Mann, and many others — poorly...

  3. Dec 27, 2018 · Is it bad that the trailers playing ahead of Welcome to Marwen are all over the place? Generally, trailers mimic what’s to come, which makes sense: People paying for Aquaman probably want to...

    • Andrew Gruttadaro
  4. Dec 21, 2018 · In “Welcome to Marwen,” Steve Carell plays Hogancamp, and Leslie Mann, Janelle Monae, Merritt Weaver, Eiza González, Stefanie von Pfetten, Leslie Zemeckis and Diane Kruger play “the women of Marwen,” all of whom have a corporeal existence outside of Mark’s fantastic world.

  5. Welcome to Marwen was released by Universal Pictures on December 21, 2018. Critics praised the animated segments and performances, particularly Carell's, but criticized the inconsistent tone and screenplay. The film grossed only $13.1 million worldwide, becoming a box-office bomb.

  6. Parents need to know that Welcome to Marwen is director Robert Zemeckis' fact-based drama about a man named Mark Hogancamp (Steve Carell) who recovers from trauma by creating a miniature world populated by dolls. Viewers see the trauma -- a terrible beating -- in brief flashbacks; a couple of upsetting scenes… Why Age 13+? Violence & Scariness.

    • Robert Zemeckis
    • Joyce Slaton
    • Steve Carell, Diane Kruger, Leslie Mann
  7. Welcome to Marwen is a disjointed yet well-meaning movie, although you'd most likely be better served finding the original documentary. Full Review | Original Score: 6/10 | Jan 10, 2020

  8. Dec 20, 2018 · 'Welcome to Marwen' takes a true story of trauma and triumph, then turns it into a overblown CGI dollhouse, says Peter Travers. Our review.