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      • In the early 1920s, he became an actor and stage manager with the Theatre Guild. In 1931, Strasberg co-founded the Group Theatre, where he directed brilliant experimental plays such as Men in White (1933). After working in Hollywood (1941–1948), he returned to New York City to become artistic director of the Actors Studio.
      www.biography.com/actors/lee-strasberg
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  2. Strasberg assumed leadership of the studio in 1951 as its artistic director. "As a teacher and acting theorist, he revolutionized American actor training and engaged such remarkable performers as Kim Hunter, Marilyn Monroe, Julie Harris, Paul Newman, Geraldine Page, Ellen Burstyn, and Al Pacino."

  3. Aug 23, 2024 · Lee Strasberg was a theatre director, teacher, and actor, known as the chief American exponent of “method acting,” in which actors are encouraged to use their own emotional experience and memory in preparing to “live” a role.

    • The Editors of Encyclopaedia Britannica
  4. Aug 16, 2023 · Born in 1901 in Austria-Hungary (now Budanov, Ukraine), Lee Strasberg came to the United States at age 7. In the early 1920s, he became an actor and stage manager with the Theatre Guild.

  5. Acting, unlike other art forms, lacked the kind of systematic approach to developing and training the fundamental components of an actor’s toolbox–his sensitivity and imagination. There existed no methodology that trained the faculties required to repeatedly deliver inspired performances.

  6. Actor, director, and teacher Lee Strasberg was the chief American exponent of the popular but controversial Stanislavsky “method” of acting, in which actors are encouraged to use their own emotional experience and memory in preparing to “live” a role.

  7. Mar 11, 2019 · In 1923, Lee Strasberg, then a young actor just beginning to find his way in what was quickly emerging as a new American theatre culture, sat in the audience for the performances of Konstantin Stanislavsky’s Moscow Art Theatre (MAT) during its legendary American tour.

  8. Jan 31, 2022 · In January, 1923, Lee Strasberg went to Al Jolson’s 59th Street Theatre to see “Tsar Fyodor Ivanovich,” a nineteenth-century Russian play about sixteenth-century Russian politics, performed ...