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      • When Hondo visited the HFA in 2000, he deposited a set of materials within the archive. Combined with the titles that were purchased for the collection, the HFA was established as a source for Hondo's materials in North America.
      harvardfilmarchive.org/collections/med-hondo-collection
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  2. May 12, 2019 · During his long history with the Harvard Film Archive, Med Hondo received the McMillan Stewart Fellowship in Distinguished Filmmaking in 1999-2000.

  3. May 14, 2023 · Med Hondo (1935-2019) belongs in the pantheon of the Pan African struggle for emancipation. He will forever reside alongside historians Cheikh Anta Diop and Joseph Ki-Zerbo; political leaders Kwame Nkrumah, Malcolm X, Patrice Lumumba and Thomas Sankara; ...

    • Did Med Hondo visit the Harvard Film Archive?1
    • Did Med Hondo visit the Harvard Film Archive?2
    • Did Med Hondo visit the Harvard Film Archive?3
    • Did Med Hondo visit the Harvard Film Archive?4
    • Did Med Hondo visit the Harvard Film Archive?5
  4. As a young man, Med Hondo traveled as an immigrant worker to France, where eventually he developed an interest in theater and formed his own performing group, "Shango," named after the Yoruba god of thunder.

  5. Med Hondo at the Harvard Film Archive. April 28, 2000. Repository: Harvard Film Archive, Harvard University. Local identifier: HFA_29629_MedHondoAtHFA. Duration: 01:08:01

  6. Unavailable for decades, Hondo’s masterpiece finally appears in a new digital restoration by the Harvard Film Archive and Ciné-Archives using the original 35mm picture negative and magnetic track, making its Chicagoland debut at Block Cinema.

  7. During his off hours, Hondo took drama courses. In 1966, with African actors, he founded a theatrical company called “Shango,” and featured African playwrights. Hondo began production of his first feature film, Soleil O in 1969.

  8. Mar 7, 2024 · This March, the Wex presents three of Med Hondos most celebrated films, each showcasing his formal cinematic talents and uncompromising vision. Each one of these films takes on questions of history, identity, colonization, and revolution from a different vantage point.