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      • The insurgencies of Manipur deeply inform Thiyam’s work, and plays. The inter-ethnic strife between the two tribes, Nagas and Kukis, has caused chronic violence in the state, ever since it started escalating in 1992. Insurgents have formed revolutionary underground groups, battling the government for their own homeland.
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  2. Mar 1, 2020 · Why did Thiyam return to Manipur after NSD when his classmates were reaching out to Bollywood or Delhi theatre? Manipur was caught in a churn of sociopolitical unrest, poverty, violence and repression.

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  3. en.wikipedia.org › wiki › Ratan_ThiyamRatan Thiyam - Wikipedia

    Chorus Repertory Theatre founded by Ratan Thiyam in 1976. He went on to set up a theatre group called Chorus Repertory Theatre [7] in Imphal, Manipur in 1976. He was also briefly the director of National School of Drama (NSD), New Delhi (1987–88). [1]

  4. Abstract. The Manipuri theatre of Ratan Thiyam and Heisnam Kanhailal is reminiscent of the rich theatre practices of Manipur. History, politics and the ‘Manipuri identity’ become extremely important in trying to assess the plays of the two playwrights mentioned above.

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  5. Ratan Thiyam, considered as one of the major pioneers of the theatre of roots movement, shows his deep intimacy with native traditions, myths and history in his theatre productions.

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  6. Ratan Thiyam was born on January 20, 1948 in Imphal to a family of Manipuri dance artists. Apart from painting and Hindustani classical music, he is also trained in Manipuri dance. Thiyam graduated from National School of Drama, New Delhi in 1974.

  7. Ratan Thiyam's intense and holistic production style - all members are trained in dance, acting, martial arts, stagecraft and design - embraces traditional Manipuri forms as well as other methods, developed over time to support Chorus Repertory Theatre's esthetic approach.

  8. Apr 3, 2020 · This is a documentary film on the Manipuri theatre exponent Ratan Thiyam. It was shot at Chorus Repertory Theatre, Imphal, Manipur. Ratan Thyam shares his perspectives on theatre in this ...

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    • Nayana Visions