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Vivek Ranjan Agnihotri (born 10 November 1973) is an Indian director, producer, and writer who works in Hindi cinema. He is a member of the board of India's Central Board of Film Certification and a cultural representative of Indian Cinema at the Indian Council for Cultural Relations.
Vivek Agnihotri (born 10th November) is an avant garde Indian film director, producer and screenwriter. Agnihotri is one of the few new age Hindi cinema film directors, known to experiment in different genres of film making.
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Dec 21, 2023 · Vivek Agnihotri is an Indian film director, screenwriter, and author. He is a board member of India’s Central Board of Film Certification. Vivek Agnihotri is a cultural representative of Indian Cinema at the Indian Council for Cultural Relations.
Buddha in a Traffic Jam is a 2016 Indian political thriller film written and directed by Vivek Agnihotri. The film released nationwide on 13 May 2016. The film narrates a tale of inter-meddling of academia with corruption and Maoism .
1M Followers, 669 Following, 1,544 Posts - Vivek Ranjan Agnihotri (@vivekagnihotri) on Instagram: "Storyteller. National award winning filmmaker. Bestselling author. Kinda Philosopher & creative guru.
Vivek Agnihotri (born 10th November) is an avant garde Indian film director, producer and screenwriter. Agnihotri is one of the few new age Hindi cinema film directors, known to experiment in different genres of film making.
In part 1 of the 2-part conversation with National Award winning director, Vivek Ranjan Agnihotri, Ajeet Bharti brings about a host of topics including Bolly...
Vivek Agnihotri is an Indian director, producer and screenwriter. He started his directorial career with television shows like Ye Kaha Aa Gaye Hum (1996) and X-Zone (2000).
Vivek Ranjan Agnihotri is an Indian film director, screenwriter and author who works in Hindi cinema. As of 2022, he is a member of the board of India's Central Board of Film Certification and a cultural representative of Indian Cinema at the Indian Council for Cultural Relations.
