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Post-rock is a form of experimental rock characterized by the exploration of textures and timbres as well as non-rock styles, sometimes placing less emphasis on conventional song structures or riffs. Post-rock artists can often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles.
Post-Rock. Post-rock was the dominant form of experimental rock during the '90s, a loose movement that drew from greatly varied influences and nearly always combined standard rock instrumentation with electronics. Post-rock brought together a host of mostly experimental genres -- Kraut-rock, ambient, prog-rock, space rock, math rock, tape music ...
May 1, 2024 · Dive Into Slint's History With Some Unique Deep Cuts- "Glenn" - "Nosferatu Man". More Slint. #59 of 100 on The Best Alternative & Indie Bands of the 1990s. #190 of 215 on The 200+ Best Indie Artists Of All Time, Ranked. #10 of 35 on The 35 Best Math Rock Bands & Artists, Ranked. 13.
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- Bark Psychosis. Hex. (Circa, 1994) It seems fitting that our number one album should be Hex, the record which, as legend has it, was the first to be described as “post-rock”, in a review by journalist Simon Reynolds.
- Slint. Spiderland. (Touch And Go, 1991) Slint released the now-iconic Spiderland in 1991 while still a bunch of Kentucky nobodies. People couldn’t find out anything about them: by the time the album was released the band had split ways, meaning no interviews, and at a time where there was of course no internet for online sleuthing.
- Tortoise. Millions Now Living Will Never Die. (Thrill Jockey, 1996) With seven albums recorded over a 26-year career, Tortoise are practically establishment figures.
- Talk Talk. Laughing Stock. (Verve Records, 1991) Talk Talk spent the late ‘80s spending EMI’s money on the perverse dismantling of their glossy avant-pop formula, which had delivered them huge, and somewhat unlikely, commercial success earlier in the decade (who else on this list has written anything remotely as catchy as ‘It’s My Life’?).
- Tortoise, Millions Now Living Will Never Die (1996) Much like Battles, the various members of Tortoise were no strangers to the indie rock community.
- Slint, Spiderland (1991) Yet another template setting piece of art that hundreds, if not thousands, of skinny young men have been trying to reckon with since its release in 1991.
- Battles, Mirrored (2007) No one ever floated the idea of calling Battles a supergroup even though its members have an amazing collective legacy: Tyondai Braxton was the son of jazz legend Anthony Braxton, Ian Williams logged time in Don Caballero and Storm & Stress, John Stanier was the drummer for Helmet and Tomahawk, and Dave Konopka was in math rock group Lynx.
- Mogwai, Young Team (1997) The world was obviously hungry for a group capable of such massive yet smooth dynamic shifts when Mogwai came around in the late ‘90s as the Scottish gents made an immediate dent in the indie charts on both sides of the Atlantic.
Aug 25, 2020 · Post rock is the soundtrack to all your dreams.” * While the ambiguity and vastness of post rock offers musicians a boundless playing field where one can be experimental and innovative, there are also those who find comfort under the cloak of a seemingly undefinable term, as they then find the space to peddle mediocrity.
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Jan 7, 2015 · Above all else, the Wikipedia entry on post-rock exemplifies how difficult it can be to pin down movements in music: Did the genre begin in the ’90s? The ’80s? The term was coined a little ...
