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  1. Sep 11, 2024 · The narrator benefits from discounting Roderick’s fears and behaviors as “madness,” but he does so at the expense of Roderick himself. Roderick reveals the immense suffering he experiences because of how the narrator treats him in a lengthy monologue at the end of the novel.

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    When Roderick speaks, he states that his illness is hereditary and without cure, which causes him to have highly reactive senses. Roderick believes he will soon go insane from fear and die. He admits that he is superstitious about the house, and that its continual gloom has broken him down. Usher states that he and his sister, Madeline, are the las...

    Summoned to the House of Usher by a wildly importunate letter, which gave evidence of nervous agitation, the first-person narrator goes to reside for a time with the writer of this letter, Roderick Usher. Although Roderick had been one of his boon companions in boyhood, the narrator confesses early in the story that I really knew little of my frien...

    His sisters illness is only one reason for Rodericks agitation, one reason for his desire to have the solace of the narrators companionship; it is not the onlyor most significantreason. Usher himself is suffering from a mental disorder, which is a constitutional and . . . family evil, and one for which he despaired to find a remedy. Why evil? one w...

    The narrator flees the house, and from a short distance away he turns to look back and sees the House of Usher split in two and crumble into the dark waters of the tarn before it.

    The Fall of the House of Usher is Poes best-known and most admired story, and rightfully so: It expertly combines in a powerful and economical way all of his most obsessive themes, and it brilliantly reflects his aesthetic theory that all the elements of a literary work must contribute to the single unified effect or pattern of the work itself. The...

    The actual subject of the story, as is the case with most of Poes work, is the nature of the idealized artwork and the precarious situation of the artist. Roderick, with his paintings, his musical compositions, and his poetry, is, above all, an artist. It is the particular nature of his art that is inextricably tied up with his illness. Roderick ha...

    The only hold Roderick has on the external world at all is his twin sister, who is less a real person in the story than the last manifestation of Rodericks physical nature. By burying her, he splits himself off from actual life. Physical life is not so easily suppressed, however, and Madeline returns from her underground tomb to unite her dying bod...

  2. Roderick is intellectual and bookish, and his twin sister, Madeline, is ill and bedridden. Roderick’s inability to distinguish fantasy from reality resembles his sister’s physical weakness. Poe uses these characters to explore the philosophical mystery of the relationship between mind and body.

  3. Jul 2, 2024 · Roderick Usher is portrayed as a reclusive, mentally unstable man suffering from acute sensitivity and paranoia. His fate is intertwined with the house, as both he and the mansion deteriorate...

  4. This friend is riding to the house, having been summoned by Roderick Usher, having complained in his letter that he is suffering from some illness and expressing a hope that seeing his old friend will lift his spirits.

  5. Jul 2, 2024 · He believes she is dead and buries her prematurely, possibly to end her suffering or due to his own deteriorating mental state. His actions ultimately...

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  7. He evokes here his primary effect: We sense that some fearful event will soon transpire. When the narrator sees Roderick Usher, he is shocked at the change in his old friend. Never before has he seen a person who looks so much like a corpse with a "cadaverousness of complexion."