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  1. Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming.

    • American Nightmare – We’re Down Til We’re Underground (2003) By the turn of the millennium, you had some bands trying to bring hardcore back to the sound of its ’80s origins, and others pushing it in so many different directions that you couldn’t really call it “hardcore” anymore.
    • With Honor – Heart Means Everything (2004) A lot of the early/mid 2000s melodic hardcore bands went under-appreciated in their time, and Connecticut’s With Honor were no exception.
    • Love Is Red – The Hardest Fight (2004) Another band making a big comeback (who were also on Stillborn in 2004) is Nashville’s Love Is Red, who recently broke a 17-year-silence with the genuinely great new EP Darkness Is Waiting.
    • Taken – Between Two Unseens (2004) Before bassist Nick Beard co-founded Circa Survive, he was playing in the band Taken, who Touche Amore frontman Jeremy Bolm once called “the first band I heard to blend melody with blast beats.”
  2. Melodic hardcore is a broadly defined subgenre of hardcore punk with a strong emphasis on melody in its guitar work. It generally incorporates fast rhythms, melodic and often distorted guitar riffs, and vocal styles tending towards shouting and screaming.

  3. Saved charts. The greatest Melodic Hardcore albums of all time, as voted by RYM/Sonemic users.

  4. Melodic Hardcore is a subgenre of Hardcore Punk. As the name suggest it is more melodic than traditional hardcore, giving emphasis on vocal melody. Melodic Hardcore, with its strong emphasis on melodic exploration (melody), is distinct from both pop punk, skate punk, and youth crew although e… read more. Top Artists. Rise Against.

  5. The Sound of Melodic Hardcore · Playlist · 285 songs · 1.8K likes.

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  7. Sep 2, 2020 · Andrew Sacher. |. September 2, 2020. This edition of ‘In Defense of the Genre’ looks at 18 early 2000s punk albums that were too gritty for the bubblegum pop punk TRL was playing but too tuneful...