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  1. Raja Ravi Varma (29 April 1848 – 2 October 1906 [3] [4]) was an Indian painter and artist. His works are one of the best examples of the fusion of European academic art with a purely Indian sensibility and iconography.

  2. Raja Ravi Varma (29 April 1848 – 2 October 1906) was a celebrated Malayali Indian painter and artist. He is considered among the greatest painters in the history of Indian art for a number of aesthetic and broader social reasons.

  3. Raja Ravi Varma was an Indian painter and artist, considered as one of the greatest painters in the history of Indian art. Raja Ravi Varma is known for his amazing paintings, which revolve mainly around the Puranas (ancient mythological stories) and thegreat Indian epics - Mahabharata and Ramayana.

  4. By Sandeep & Gitanjali Maini Foundation. Raja Ravi Varma's art, his eye for detail, spanning subjects and characterisation spawned a rich legacy, bringing to the fore a lot of contemporary...

  5. Jul 18, 2022 · Raja Ravi Varma: Controversy of India's most iconic artist. 17 July 2022. By Kalpana Sunder, Features correspondent. Raja Ravi Varma Heritage Foundation, Bangalore. (Credit: Raja Ravi...

  6. May 13, 2024 · Raja Ravi Varma (1848-1906) was one of the most celebrated and prominent artists from India. His works combined European realism with Indian sensibility.

  7. The royal who became the most iconic Indian artist of all time.

  8. Raja Ravi Varma was an Indian painter and artist. He is considered among the greatest painters in the history of Indian art. His works are one of the best examples of the fusion of...

  9. May 7, 2023 · On his 175th birth anniversary, remembering the life and legacy of Raja Ravi Varma Considered the father of modern Indian art, Varma was arguably the first to successfully combine Indian iconography and portraiture with Western realism and techniques.

  10. May 6, 2024 · Raja Ravi Varma (1848–1906) was a celebrated Indian painter and artist, widely regarded as one of the greatest painters in the history of Indian art.

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