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August Strindberg (born Jan. 22, 1849, Stockholm, Swed.—died May 14, 1912, Stockholm) was a Swedish playwright, novelist, and short-story writer, who combined psychology and Naturalism in a new kind of European drama that evolved into Expressionist drama.
Strindberg felt that true naturalism was a psychological "battle of brains": two people who hate each other in the immediate moment and strive to drive the other to doom is the type of mental hostility that Strindberg strove to describe.
May 20, 2019 · Aside from the provocative autobiographical content of his work, however, Strindberg’s achievement rests on his perfection of the naturalistic form, his extension of that form into an imaginative forum for modern psychology, and his movement from dramatic realism to expressionism.
Dec 11, 2022 · This article looks at August Strindberg's play "Miss Julie" and how it conforms to principles set forward by the movement of Naturalism.
Dec 7, 2021 · How much of a Naturalist was Strindberg? It is true that he first made international reputation as one, but a few years later he turned to symbolism and created the proto-expressionistic works that won him another and perhaps greater reputation.
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies.
Zola's naturalism does employ some phases, theories, and methods of science - particularly the idea of determinism - but it functions bas- ically in qualitative planes of reference.
August Strindberg - Playwright, Naturalism, Expressionism: To the end, Strindberg debated current social and political ideas (returning to the radical views of his youth) in polemical articles, while his philosophy was expounded in the aphoristic Zones of the Spirit (1907–12).
May 28, 2010 · Though authors often use their lives as a source for their fiction, few writers have blended fact, research and fiction as effectively as August Strindberg. Miss Julie typifies Strindberg's creative energy and the close relation between what he wrote and what he lived.
Strindberg still remains among the most modern of moderns.. . . He carried Naturalism to a logical attainment of such poign-ant intensity that, if the work of any other playwright is to be called 'naturalism,' we must classify a play like The Dance of Death as 'super-naturalism,' and place it in a class by itself, ex-clusively Strindberg's.
