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- “I work under conditions of such extreme freedom. I write my films, I cut them, I do the designing, I operate the camera, I write the music, the advertising, I often dictate the theater. I'd lose that control; I couldn't tolerate memos and front offices and temperamental stars.”
www.nytimes.com/1973/08/03/archives/satyajit-ray-finds-a-freedom-in-film.html
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Aug 3, 1973 · CALCUTTA, India — To American and European filmgoers, Indian movies mean Satyajit Ray. To most Indians, however, the director's delicately textured tapestries of Calcutta life and village ...
- Apu Trilogy: Innocence and Hope
- Calcutta Trilogy: Confrontations & Compromises
- The Last Trilogy: Decadence and Despair
- Changing Perceptions
Recall some iconic scenes from this iconic trilogy: of Apu and Durga running through the kash grass thicket at the edge of their village to see the passing train; earlier, a night scene where Harihar, sitting on the veranda of their hut with a bunch of manuscripts, teaches his son Apu his first letters (Pather Panchali ); the adolescent Apu, now a ...
If the Apu Trilogy is suffused with journeys and departures in space and time, in the Calcutta trilogy the characters are almost trapped in the space of the city; time seems to have frozen, evoking the sense of an ending. According to Suranjan Ganguly: “The Calcutta trilogy [films]… chronicle the moral and spiritual collapse of this new urban India...
The last three films of Ray—all shot almost entirely indoors as he was suffering from a heart condition—deal with crucial social and political issues pointing to even gloomier visions about society and individuals. These films are all about human relationships and the ethical, social and political ecologies that engulf them. Environmental degradati...
If the first trilogy is about the growing up of young Apu, the protagonists of the Calcutta films are all young men trying to find their feet in the city. In the last trilogy, most protagonists are old, infirm and past their prime or at the fag end of their careers. All these films, in a way, look back and take stock. If it is all about moving arou...
Oct 17, 2021 · Based on the Tagore story Nastanirh (The Broken Nest), it illustrates once again the penchant Ray had for Bengal’s historical quest for freedom and enlightenment. Ray and Tagore, the two...
Apr 30, 2024 · Satyajit Ray, Bengali motion-picture director who brought the Indian cinema to world recognition with Pather Panchali (1955; The Song of the Road) and its two sequels, known as the Apu Trilogy. He was noted for his humanism, his versatility, and his detailed control over his films and their music.
May 2, 2021 · That Ray found pride of place in this pantheon was no surprise because his films did indeed mirror the United Nations core values of universal human rights, justice and dignity for all...
Satyajit Ray filmography. Satyajit Ray ( listen ⓘ; 2 May 1921 – 23 April 1992) was an Indian filmmaker who worked prominently in Bengali cinema and who has often been regarded as one of the greatest directors of world cinema. [1] Ray was born in Calcutta (now Kolkata) to a Bengali family and started his career as a junior visualiser. [2]
Apr 28, 2022 · Indian filmmaker Satyajit Ray (1921 - 1992) Sumit Mitra. UPDATED: Apr 28, 2022 20:46 IST. He was a strange man even in the Calcutta of the’60s. Calcutta then was not the city of narrow horizons it later became. It was teeming with oddballs—anarchists, Trotskyites, Mao worshippers, beatnik buffs, diehard alcoholics, acid freaks and loonies ...
