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Alexandre Astruc (French:; 13 July 1923 – 19 May 2016) was a French film critic and film director.
Alexandre Astruc (July 13th 1923 – May 19th 2016 ) is best known today as an influential film theorist whose essay ‘ Birth of a new avant-garde: la camera-stylo ’, written in 1948 for L’Ecran, advocated a more personal cinema and a new film language.
Alexandre Astruc. Director: Les mauvaises rencontres. Born in Paris on July 13th 1923, Alexandre Astruc is the son of a couple of journalists. Very good at school, he attended a preparatory school for Polytechnique but finally became both a law and an arts graduate.
- January 1, 1
- Paris, France
- January 1, 1
- Paris, France
Alexandre Astruc, né le 13 juillet 1923 à Paris 16e, où il est mort le 19 mai 2016 1, est un réalisateur, scénariste et écrivain français . Biographie. Famille et jeunesse. Alexandre Astruc est le fils de Marcel Astruc 2, journaliste, et de Huguette Haendel 3, également journaliste.
Alexandre Astruc. Director: Les mauvaises rencontres. Born in Paris on July 13th 1923, Alexandre Astruc is the son of a couple of journalists. Very good at school, he attended a preparatory school for Polytechnique but finally became both a law and an arts graduate.
- July 13, 1923
- May 19, 2016
A foundation stone of the French cinematic movement known as the nouvelle vague, or New Wave, the theory of director-as-author was principally advanced in Bazin’s periodical Cahiers du cinéma (founded in 1951). Two of its theoreticians—François Truffaut and Jean-Luc.
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Alexandre Astruc, who died on 19 May 2016 in France at the age of 92, is best known throughout the world for a single essay that he wrote in 1948, when he was only 25: “The Birth of a New Avant- Garde: La Caméra-Stylo,” first published in Nino Frank’s popular tabloid format, left-leaning magazine, L’Écran français. 1 He is less known ...