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  1. Hoyte van Hoytema, ASC (Dutch: [ˌɦɔi̯tə vɑn ˈɦɔi̯təma]; born 4 October 1971) is a Dutch-Swedish cinematographer.

  2. Van Hoytema is a Dutch-Swedish director of photography known for his work on The Fighter (2010), Her (2013), Interstellar (2014), and Dunkirk (2017). Van Hoytema always wanted to be a filmmaker, therefore he wished to attend a film school in The Netherlands, but was rejected twice.

  3. Fan page for Cinematographer Hoyte van Hoytema. Hoyte is the sexiest man alive, pls send/share pics of HVH ️

  4. Van Hoytema is a Dutch-Swedish director of photography known for his work on The Fighter (2010), Her (2013), Interstellar (2014), and Dunkirk (2017). Van Hoytema always wanted to be a filmmaker, therefore he wished to attend a film school in The Netherlands, but was rejected twice.

  5. Mar 11, 2024 · For his work on Nolan's World War II action thriller, Dunkirk (2017), Hoytema received his first Oscar nomination for Best Cinematography. Oppenheimer marks their fourth collaboration to date, and the cinematographer says that tackling seemingly impossible challenges has become a regular starting point in his and Nolan's process.

  6. Feb 20, 2024 · Celluloid is alive-and-kicking”. This slogan was stated by the IMAX cinematographer Hoyte Van Hoytema during his speech winning BAFTA 2024.

  7. Jan 2, 2024 · Hoyte van Hoytema hurt his back. No, it wasn’t with one of the 54-pound Imax cameras the cinematographer maneuvers for the films he’s made with director Christopher Nolan: “Interstellar,”...

  8. Jul 22, 2023 · Known for his widescreen vista shots, van Hoytema says his assignment this time was to capture the intimacy, since the story was being told from Oppenheimer’s point of view.

  9. Aug 15, 2023 · Oppenheimer marks the fourth collaboration between director Christopher Nolan and cinematographer Hoyte van Hoytema.

  10. Oct 30, 2023 · Christopher Nolans sets tend to be massive, but on a good day for his longtime cinematographer Hoyte van Hoytema, the space for shooting feels as simplified and bare-bones as a black box...