Haruko Nemoto
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A Hero of Tokyo: Directed by Hiroshi Shimizu. With Mitsugu Fujii, Mitsuko Yoshikawa, Yûkichi Iwata, Michiko Kuwano. The story focuses on the widower Nemoto, ostensibly a businessman, who has one son, Kanichi, the hero of the title.
- (75)
- Drama
- Hiroshi Shimizu
- 1935-03-07
Jan 28, 2015 · The story focuses on the widower Nemoto, ostensibly a businessman, who has one son, Kanichi, the hero of the title. Nemoto remarries; his new wife is a widow with a son and daughter of her own. However, Nemoto’s business turns out to be out a shady scam, and he disappears, leaving his wife to raise the three children alone.
Visit the movie page for 'A Hero of Tokyo' on Moviefone. Discover the movie's synopsis, cast details and release date. Watch trailers, exclusive interviews, and movie review. Your guide to this ...
- (1)
- Mitsugu Fujii
- Hiroshi Shimizu
- Shochiku
Apr 17, 2021 · Shimizu’s final silent feature, A Hero of Tokyo (Tôkyô no eiyû, Hiroshi Shimizu, 1935), somewhat ironically titled as audiences come to learn, drags all of these issues to the fore in the tale of a neglected son who grows up to challenge paternal corruption in the form of his fraudulent, imperialist father. Employing his trademark dissolves, Shimizu opens the film with little Kanichi waiting with his friends as they watch for the evening trains bringing their fathers home from the office.
A HERO OF TOKYO Tokyo no eiyu. Directed by. Hiroshi Shimizu. Japan, 1935. Drama. 64. Synopsis. This late silent film is little more than an hour long, and achieves a ...
A Hero of Tokyo is a film directed by Hiroshi Shimizu with Mitsugu Fujii, Mitsuko Yoshikawa, Yukichi Iwata, Michiko Kuwano .... Year: 1935. Original title: Tôkyô no eiyû. Synopsis: The story focuses on the widower Nemoto, ostensibly a businessman, who has one son, Kanichi, the hero of the title.
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Thematically speaking, Shimizu Hiroshi’s A Hero of Tokyo (Tôkyô no eiyû) echoes a number of other Japanese films of the 1930s—for instance, Ozu’s Woman of Tokyo (1933), Naruse’s Apart from You (1933), Shimizu’s own Forget Love for Now (1937)—films in which women end up being chastised for resorting to unsavory ways to survive by the same hypocritical society that offered them few other options in the first place.
