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Ardh Satya (lit. ' Half truth ') is a 1983 film directed by Govind Nihalani and screenplay by Vijay Tendulkar. The film was based on the short story, 'Surya', by S. D. Panvalkar, and featured dialogues by Vasant Dev.
Nov 18, 1983 · Ardh Satya: Directed by Govind Nihalani. With Om Puri, Smita Patil, Amrish Puri, Shafi Inamdar. A newly appointed police rookie deals with corruption, romance, and brutality.
फ़िल्मफ़ेयर सर्वश्रेष्ठ फ़िल्म पुरस्कार विजेता.
Feb 16, 2023 · Ardh Satya Full Movie 4K | Smita Patil | Naseeruddin Shah | Amrish Puri | Om Puri | अर्ध सत्य (1983)Film: Ardh Satya (1983)#SmitaPatil #NaseeruddinShah #Ardh...
Ardh Satya Is An Award Winning Hindi Crime Movie, Directed By Govind Nihalani, Starring Om Puri, Smita Patil, Amrish Puri, Shafi Inamdar, Naseeruddin Shah And Sadashiv Amrapurkar In The Lead Roles.
Nov 8, 2021 · In current times, when masters of half-truths rule the day, a gritty film from 1983, Ardh Satya, jolts you to the core with its stark revelations with almost every scene. Dark and sharply incisive, this Govind Nihalani-directed masterpiece is not for easy viewing.
Ardh Satya is a 1983 Hindi action drama film starring Om Puri Smita Patil and Amrish Puri, the protagonist, played by Om Puri, is a policeman struggling with the evils around him and with his own frailties. View Director and Cast.
Dec 20, 2021 · In the 1983 film Ardh Satya, writer Vijay Tendulkar and director Govind Nihalani ended their unlettered mute tribal character’s self-imposed silence with a bloodcurdling scream of protest. Advertisement. Almost every cop film that followed Govind Nihalani’s Ardh Satya owes an allegiance to the hard-hitting edgy drama in one way or another.
Nov 6, 2014 · If he had taken a little liberty “Ardh Satya” could have been your usual honest cop versus corrupt system tale. The difference lay in the treatment. No melodrama, no holds barred, no songs to...
Beginning with the cuts of Anant and Jyotsna being separated to the close-up as the light blinks on Anant's face towards the end, Ardh Satya transcends its genre into a plaintive spiral of self-destructive immolation.
