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  1. To Live and Die in L.A. is a 1985 American neo-noir [2] [3] action thriller film directed and co-written by William Friedkin. It is based on the 1984 novel of the same name by former U.S. Secret Service agent Gerald Petievich, who co-wrote the screenplay with Friedkin. It stars William Petersen, Willem Dafoe, John Pankow, John Turturro ...

  2. Nov 1, 1985 · To Live and Die in L.A.: Directed by William Friedkin. With Jane Leeves, Cherise Bates, Willem Dafoe, Michael Higgins. A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.

    • (40K)
    • Action, Crime, Drama
    • William Friedkin
    • 1985-11-01
  3. Oct 5, 2012 · Subscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnSubscribe to CLASSIC TRAILERS: http://bit.ly/1u43jDeLike us on FACEB...

    • 2 min
    • 335.3K
    • Rotten Tomatoes Classic Trailers
  4. Mar 13, 2023 · A fearless Secret Service agent will stop at nothing to bring down the counterfeiter who killed his partner.Subscribe: https://www.youtube.com/channel/UCf5Cj...

    • 2 min
    • 130.9K
    • Amazon MGM Studios
  5. Rated 5/5 Stars • 12/17/23. After a string of three great movies in the ‘70s, director William Friedkin hit a bit of a bumpy road for the next decade or so. Along that bumpy road was To Live ...

    • (51)
    • William Friedkin
    • R
    • William Petersen
  6. The movie is set in Los Angeles, and so, ofcourse, the chase centers on the freeway system."To Live and Die in L. A." is a law-enforcement movie, sort of. In the hierarchy of great movie chase sequences, the recent landmarksinclude the chases under the Brooklyn elevated tracks in "The French Connection" down the hills of San Francisco in "Bullitt" and throughthe Paris Metro in "Diva."

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  8. Director William Friedkin has called To Live and Die in L.A. (1985) one of the few films that came closest to his original vision. The plot deals with Secret Service agents on the trail of a deadly Los Angeles counterfeiter. But the real attraction for Friedkin was the underlying tension between the two sides and the shades of grey created by ...