1985
Search results
1958–2023. Michel Deville (13 April 1931 – 16 February 2023) was a French film director and screenwriter. Deville started his filmmaking career in the late 1950s, paralleling the emergence of the French New Wave directors. He never achieved the level of critical and international recognition of some of his contemporaries such as François ...
Michel Deville. Director: Dossier 51. Michel Deville, a singular talent in French cinema. For, except during a short period where he made two or three standard commercial films (but that was to repay the debts of his own film company, due to the defection of a business partner), Deville made pictures which, without being too elitist, show a distinctive talent and personality.
Feb 21, 2023 · Michel Deville (center), winner of the César Award for Best Director for 'Death in a French Garden' at the 11th César Awards ceremony in 1986 MICHEL GANGNE / AFP. Born on April 13, 1931 in ...
Feb 16, 2023 · Deville started his filmmaking career in the late 1950s, paralleling the emergence of the French New Wave directors. He never achieved the level of critical and international recognition of some of his contemporaries such as François Truffaut, Jean-Luc Godard and Claude Chabrol, possibly because of his more conventional filmmaking style. Nevertheless, his films, especially his comedies from the 1970s and 1980s, were popular in his native France.
From the early 1970s, Michel Deville's films began to take on a much darker hue and showed an increasing interest in stylisation. Le Dossier 51 (1978), a Kafkaesque néo-polar thriller, distinguishes itself with the use of the subjective camera, an approach that imbues the film with menace and reflected public concern over modern surveillance methods.
Michel Deville. Born in April 13th, 1931. From Boulogne-Billancourt, Hauts-de-Seine, France. Biography Movies TV Shows. Michel Deville Biography. Deville started his filmmaking career in the late ...
Feb 16, 2023 · Deville started his filmmaking career in the late 1950s, paralleling the emergence of the French New Wave directors. He never achieved the level of critical and international recognition of some of his contemporaries such as François Truffaut, Jean-Luc Godard and Claude Chabrol, possibly because of his more conventional filmmaking style.
