2002
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Takashi Miike (三池 崇史, Miike Takashi, born August 24, 1960) is a Japanese film director, film producer and screenwriter. He has directed over one hundred theatrical, video, and television productions since his debut in 1991.
Takashi Miike. Director: 13 Assassins. Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally.
Nov 2, 2017 · During his 26 years as a film, television, documentary, stage play and music video director, Takashi Miike has led the kind of career that rivals that of much more veteran...
Mar 6, 2023 · Takashi Miike is sometimes considered a controversial filmmaker because of how twisted and violent his films can get, and fewer have proven more provocative than Ichi the...
Takashi Miike. Director: 13 Assassins. Takashi Miike was born in the small town of Yao on the outskirts of Osaka, Japan. His main interest growing up was motorbikes, and for a while he harbored ambitions to race professionally.
Highest Rated: 100% Fudoh: The New Generation (1996) Lowest Rated: 11% The Neighbor No. Thirteen (2005) Birthday: Aug 24, 1960. Birthplace: Yao, Japan. If Takashi Miike had his way, his...
Sep 27, 2019 · Takashi Miike is the black, beating heart of world cinema. The man whose presence on festival circuits instills equal parts fear and wonder, the man you have to beware or watch. Miike’s rakish presence is perhaps best summed up by the title of his 2001 Yakuza movie, “Agitator.”
Takashi Miike (三池 崇史 Miike Takashi, born August 24, 1960) is a highly prolific and controversial Japanese filmmaker. He has directed over one hundred theatrical, video, and television productions since his debut in 1991.
A Decade with Takashi Miike: An Introduction. Takashi Miike's body of work encompasses the most diverse approaches to filmmaking of any director alive today, from direct-to-video police dramas to avant-garde art movies.
Oct 27, 2021 · Takashi Miike's notorious 2001 film was banned in several countries for its graphic, ultra-violent scenes, while some consider it a cult classic, writes James Balmont.
