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The Bluest Eye, published in 1970, is the first novel written by Toni Morrison. The novel takes place in Lorain, Ohio (Morrison's hometown), and tells the story of a young African-American girl named Pecola who grew up following the Great Depression.
May 16, 2024 · The Bluest Eye, debut novel by Nobel Prize-winning author Toni Morrison, published in 1970. Set in Morrison’s hometown of Lorain, Ohio, in 1940–41, the novel tells the tragic story of Pecola Breedlove, an African American girl from an abusive home.
The Bluest Eye by Nobel Prize-winning novelist Toni Morrison, published in 1970, is a profound exploration of race, beauty, and identity in 1940s America. The novel is set in Lorain, Ohio, and follows the heartbreaking story of Pecola Breedlove, a young African American girl who internalizes beauty standards that privilege whiteness.
Jun 1, 1970 · The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove.
The Bluest Eye Summary. Nine-year-old Claudia MacTeer and her ten-year-old sister, Frieda MacTeer, live in an old house in Lorain, Ohio. It is 1941, near the end of the Great Depression, and their family struggles to make ends meet.
The Bluest Eye was inspired by a real life interaction Toni Morrison had with a girl who wanted blue eyes. Her reaction to the girl, which was anger, stayed with her, and later she began to wonder what leads a young girl to desire such a radical transformation.
A short summary of Toni Morrison's The Bluest Eye. This free synopsis covers all the crucial plot points of The Bluest Eye.
In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to...
May 8, 2007 · NATIONAL BESTSELLER • A PARADE BEST BOOK OF ALL TIME • From the acclaimed Nobel Prize winner—a powerful examination of our obsession with beauty and conformity that asks questions about race, class, and gender with characteristic subtly and grace.
When I began writing The Bluest Eye, I was interested in something else. Not resistance to the contempt of oth-ers, ways to deflect it, but the far more tragic and disabling consequences of accepting rejection as legitimate, as self-evident. I knew that some victims of powerful self-loathing turn out to be dangerous, violent, reproducing the enemy
