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Can & Can'tankerous. Can & Can'tankerous is a 2015 collection of previously uncollected short stories written by Harlan Ellison. [1] The collection includes the story "How Interesting: A Tiny Man", which won the 2011 Nebula Award for Best Short Story alongside "Ponies" by Kij Johnson. [3] The collection was edited by Jason Davis and includes an ...
Dec 1, 2015 · Can & Can’tankerous is Harlan Ellison’s first collection of new material since Slippage (1997). That’s not to say he wasn’t busy over the last 19 years. He published 31 books, after all, but they were retrospectives, reprints (sometimes with updated material), collections of obscure stories and screenplays from the 1950’s-1970’s, and graphic novel adaptations of previously published work.
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Can & Can'tankerous. (2015) A collection of stories by Harlan Ellison. Harlan Ellison has been compared to an annoying gnat, a no-see 'em buzzing in your peripheral vision till you try to swat him, and he's gone. The great English writer Michael Moorcock--and if his name does not leave you dumbstruck with awe, you should move on--called Ellison ...
Dec 31, 2015 · Can & Can'tankerous. Hardcover – December 31, 2015. Harlan Ellison has been compared to an annoying gnat, a no-see 'em buzzing in your peripheral vision till you try to swat him, and he's gone. The great English writer Michael Moorcock--and if his name does not leave you dumbstruck with awe, you should move on--called Ellison a ''fox in the ...
- Harlan Ellison
Can & Can’tankerous gathers ten previously uncollected tales from the fifth and sixth decades of Harlan Ellison’s professional writing career: a written-in-the-window endeavor that invites re-reading from the start before you’ve even finished it; a second entry in his (now) ongoing abcedarian sequence; a “lost” pulp tale re-cast as a retro-fable; a melancholy meditation for departed friend and fellow legend, Ray Bradbury; a 2001 revision of a 1956 original; an absurdist ascent ...
Can & Can’tankerous gathers ten previously uncollected tales from the fifth and sixth decades of Harlan Ellison’s professional writing career: a written-in-the-window endeavor that invites re-reading from the start before you’ve even finished it; a second entry in his (now) ongoing abcedarian sequence; a “lost” pulp tale re-cast as a retro-fable; a melancholy meditation for departed friend and fellow legend, Ray Bradbury; a 2001 revision of a 1956 original; an absurdist ascent ...
