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Cinematography (Black-and-White) - Joseph Ruttenberg Best Motion Picture - Metro-Goldwyn-Mayer Writing (Screenplay) - John Van Druten, Walter Reisch, John L. Balderston
Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
Mar 28, 2021 · By the 1940s, two full Academy Awards were given out for cinematography each year, divided into black & white and color. This would continue until 1967 when color and black & white films would finally be judged against each other for a single Best Achievement in Cinematography award.
The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio ).
Apr 19, 2024 · From 1929 to 1967, there were separate awards for color and black-and-white cinematography. Floyd Crosby won the award for Tabu in 1931, the last silent film to win in this category. Hal Mohr won the only write-in Academy Award in 1935 for Cleopatra .
Feb 5, 2014 · 18th Academy Awards (1945): Nominees and Winners – Cinema Sight by Wesley Lovell. BEST MOTION PICTURE. Anchors Aweigh – Metro-Goldwyn-Mayer. The Bells of St. Mary’s – Rainbow Productions. The Lost Weekend – Paramount. Mildred Pierce – Warner Bros. Spellbound – Selznick International Pictures. DIRECTING. The Bells of St. Mary’s – Leo McCarey.
Date of Ceremony: Thursday, March 15, 1945. For films released in: 1944. Host (s): John Cromwell and Bob Hope. Nominations List. Other years: < 16th. 18th > John Cromwell and Bob Hope shared the hosting duties when the 17th Annual Academy Awards were handed out at Grauman’s Chinese Theatre on Thursday, March 15, 1945.
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