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Lavrente Indico Diaz (born December 30, 1958) is a Filipino independent filmmaker and former film critic. He is frequently known as one of the key members of the slow cinema movement, and has made several of the longest narrative films on record.
Lav Diaz was born on 30 December 1958 in Datu Paglas, Maguindanao, Mindanao, Philippines. He is a writer and director, known for The Woman Who Left (2016), Season of the Devil (2018) and From What Is Before (2014).
Jan 28, 2022 · Lav Diaz has made 27 feature films as a director, and at least eight of them are over five hours long, with his 2004 film "Evolution of a Filipino Family" running 647 minutes, one of the longest ...
Sep 10, 2022 · He has won just about every major festival award: this year, Filipino director Lav Diaz is back at the festival with his newest work "When the Waves Are Gone...
Information on the actual shooting of some of Diaz's latest movies, including Diaz's choices of camera, can be found in Kristine Kintana, "Directed by Lav Diaz", 2015, http://lemagazine.jeudepaume.org/2015/11/kristine-kintana-directed-by-lav-diaz-en/.
Apr 20, 2017 · Check out our retrospective of the Filipino auteur here: http://mubi.io/2dUTw4S The wonderful Lav Diaz (THE WOMAN WHO LEFT, CENTURY OF BIRTHING) dropped by to talk with us about his filmmaking ...
Lav Diaz was born on 30 December 1958 in Datu Paglas, Maguindanao, Mindanao, Philippines. He is a writer and director, known for The Woman Who Left (2016), Season of the Devil (2018) and From What Is Before (2014).
Oct 4, 2020 · An interview with Lav Diaz, the Filipino master of slow cinema. Known for the epic duration of his films, Lav Diaz returns to the BFI London Film Festival this year with Genus Pan, another of his visionary journeys into the contested past of his native Philippines.
Over the span of almost two decades, Lav Diaz has established himself not only as one of the most prolific filmmakers working in the realm of arthouse cinema—being perhaps the most acclaimed adherent of the slow expression (“It’s just fucking cinema, man”)—but also as a consistent observer of the political landscape of the Philippines.
In this episode we take a closer introspection at the cinema of the most critically-acclaimed Filipino filmmaker of our age, Lav Diaz. Footages from "Norte, The End Of History", "Melancholia ...
