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Lucio Fulci ( Italian: [ˈlutʃo ˈfultʃi]; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and spaghetti Westerns, he garnered an international cult following for his giallo and horror films.
Lucio Fulci was a prolific and controversial Italian director of horror, thriller and western films. He is best known for his gore epics of the 1970s and 1980s, such as Zombie, City of the Living Dead and The Beyond.
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- Rome, Lazio, Italy
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- Rome, Lazio, Italy
Oct 19, 2020 · 10 Best Lucio Fulci Horror Films. These are the finest fright flicks from the Italian Godfather of Gore that helped earn him the title Master of Horror. By Jacob Trussell · Published on October...
Lucio Fulci is arguably the most underrated and under-appreciated director of all-time. As an Italian filmmaker for hire, Fulci took low budget exploitation scripts and churned out artistic genre films.
- 10 A Cat in The Brain (1990) Is A Surreal Collage of Gore
- 9 The Black Cat (1981) Features A Killer Cat with A Psychic Bond
- 8 City of The Living Dead (1980) Opens The Gates of Hell
- 7 The House by The Cemetery
- 6 A Lizard in A Woman's Skin (1971) Was A Psychedelic Giallo
- 5 Don't Torture A Duckling (1972) Is A Brutal, Unsentimental Maze
- 4 The New York Ripper (1982) Is A Hyperrealistic Slasher Movie
- 3 The Beyond (1981) Is Fulci's Horror Epic
- 2 Seven Notes in Black (1977) Stuns Viewers with An Ingenious Script
- 1 Zombi 2 (1979) Is An Unparalleled Undead Masterpiece
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A Cat in the Brain is the best of Fulci's late-period horror. The film is a blood-soaked quilt of scenes and effects shots from other projects, unified by a psychological narrative starring the director. Despite the patchwork nature of the movie, the story is more coherent and entertaining than Fulci's late 80s output. A Cat in the Brain bears simi...
Released in Italy two months before The Beyond, The Black Cat is one of several horror movies inspired by the Edgar Allan Poe story. The film stars character actor Patrick Magee (A Clockwork Orange, Chariots of Fire) as a spiritual medium and reluctant owner of a murderous cat. Mimsy Farmer (Four Flies on Grey Velvet) is a photographer who unwittin...
City of the Living Deadis among Fulci's most technically accomplished horror efforts, with smooth camera movement and transitions between scenes, realistic effects, a captivating story, and an excellent female lead, Catriona MacColl. The famous centerpiece of the film is the stomach-churning death of Daniela Doria's character. She falls under the s...
The third film in Fulci's Gates of Hell trilogy, The House by the Cemetery, might be easy to overlook. It lacks the more global apocalyptic action of City of the Living Dead and The Beyond, but the film benefits from a more focused setting. The house exudes a classic Gothic atmosphere with its misty, isolated location and decrepit tombstones and cr...
Fulci was known for crafting commercially successful comedies and cowboy movies early in his career. With the explosion of the giallo genre in the late 1960s, Fulci expanded his repertoire to include stylish, gory thrillers. A Lizard in a Woman's Skin followed the trend of animal-themed titles, and to be clear, the killer was not a literal lizard. ...
Don't Torture a Duckling, a dizzying maze of sadism and misdirection, is a brutal thriller with an animal title that has little to do with the movie. One suspect in a heinous child murder becomes an unexpected protagonist later in the film, and another suspect becomes a victim herself. The audience is never sure of whom to trust or empathize with, ...
The New York Ripper is Lucio Fulci's last great horror movie. The film is, at first glance, a vulgar slasher movie, an unhealthy mix of female nudity and graphic violence, as seen in films like Torso and The Prowler. But The New York Ripperis different and more challenging. The film is simultaneously a bleak document of early 80s urban life and an ...
The high point of the Gates of Hell trilogy, The Beyond, is apocalyptic in scope and boasts the most startling ending to any Fulci horror film. Catriona MacColl's heroine plans to refurbish a dilapidated New Orleans hotel without knowing that a secret passage in the basement leads directly to hell. Continuing the mayhem of The City of the Living De...
Seven Notes in Black, the literal translation of the Italian title, was also released as Murder to the Tune of the Seven Black Notes or the more common U.S. name, The Psychic. Both a giallo film and a Gothic horror tale, Seven Notes in Black represents Lucio Fulci at the height of his filmmaking and storytelling powers. The director co-wrote the mo...
Zombi 2, released as the sequel to George Romero's Dawn of the Dead, aka Zombi, in Italy, is the preeminent Italian zombie film. Known internationally as Zombie or Zombie Flesh Eaters, the movie was crucial to Lucio Fulci's development as a filmmaker. It signaled his transition from commercial movie craftsman to legendary gore auteur. Nuanced perfo...
A list of the top horror movies by the Italian director Lucio Fulci, known for his gore, suspense, and surrealism. From the Gates of Hell trilogy to A Cat in the Brain, see the highlights of his career and his influences.
Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life. A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1970s and early 1980s, but respect was long in coming.
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Mar 13, 2022 · Learn about the cult Italian horror director Lucio Fulci and his most memorable works, from giallo to zombie to Lovecraft. Discover the plot, style and legacy of his six definitive films, such as Lizard in a Woman's Skin and The Beyond.
