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  1. Vos, Paul de. A Flemish painter and draughtsman, brother of Cornelis and Jan de Vos. Like his brothers, he studied with David Remeeus and achieved the rank of master around 1620. His first paintings were identical in subject matter and motifs to those of Frans Snyders, with whom he worked during his training. Nevertheless, throughout the course ...

  2. Paul de VosArtworks. View all 16 artworks. Paul de Vos lived in the XVI – XVII cent., a remarkable figure of Flemish Baroque. Find more works of this artist at Wikiart.org – best visual art database.

  3. Paul de Vos Transplantation of pancreatic islets is a promising approach to controlling glucose levels in type 1 diabetes mellitus (T1DM), but islet survival is still limited.

  4. www.artnet.com › artists › paul-de-vosPaul de Vos | Artnet

    Paul de Vos was a Flemish Baroque painter known for his still lifes and hunting scenes. Though his work was influenced by Frans Snyders , de Vos’s style is characterized by a warmer palette, broader brushstroke, and the accentuation of the gruesome and violent aspects of the hunt.

  5. Paul de VOS. Hulst, 9 December 1595–Antwerp, 30 June 1678. Flemish painter and draughtsman. Paul de Vos [1] was born in Hulst, now in the Dutch part of Flanders; the family moved to nearby Antwerp in 1596. After a short spell with Denis van Hove ( fl. 1604) 1 he trained with his brother Cornelis de Vos (1584–1651) in the workshop of David ...

  6. Paul de Vos followed in the footsteps of his brother-in-law, Frans Snyders (1579-1657), making identical still lifes with animals and even repeating the compositional schemes and models, but with a more delicate touché and warmer shading. This type of scene was very successful among collectors of that time and was repeated on innumerable occasions.

  7. Vos, Paul de As an animal painter Paul de Vos was a follower of his brother-in-law and collaborator Frans Snyders although with a more specialist focus on hunting scenes. Both supplied art lovers and collectors with grandiose, very dynamic and on occasions violent scenes of the type fashionable in the first half of the seventeenth century in the Southern Low Countries and throughout Europe.