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Neeraj Ghaywan (born 1980) is an Indian film director and writer who works in Hindi films. He is the winner of several accolades including a National film Award and two Filmfare Awards.
Apr 16, 2021 · Neeraj Ghaywan On Exploring Caste And Sexuality In His Ajeeb Daastaans Short. The director talks about steering away from the stereotypical tomboyish representation of lesbians and whether his Dalit identity is now indispensable to his art. Rahul Desai. Updated on : 16 Apr 2021, 6:13 am.
Jul 18, 2015 · Directed by debutant Neeraj Ghaywan, the film narrates the stories of four characters whose lives are woven into the social fabric of Benaras and constricted by it — a boy from a lower caste who...
Neeraj Ghaywan. Director: Masaan. Neeraj is among India's leading contemporary filmmakers and is a National Award-winning director of the critically acclaimed Indo-French drama Masaan.
Aug 27, 2023 · Directed by Neeraj Ghaywan, one of the episodes of Made In Heaven (MIH) season 2, titled 'The Heart Skipped A Beat', featuring a Buddhist wedding, went on to become the series’ most acclaimed short. However, along with the appreciation came the credit crisis.
Apr 25, 2021 · How Hindi film director Neeraj Ghaywan, one of the few cinematic voices to weave in inclusivity and intersectionality in his work, brings in slices of marginalised lives from real to reel
Apr 13, 2021 · Neeraj Ghaywan has directed Konkona Sensharma and Aditi Rao Hydari starrer 'Geeli Pucchi' in Ajeeb Daastans. Indian cinema often fails in capturing the overlapping of social identities, be it caste, class, gender or sexuality, giving characters a single-dimensional treatment, says Masaan director Neeraj Ghaywan, who uses his cinema to take ...
Aug 10, 2023 · Neeraj Ghaywan embraces challenge directing "Made in Heaven" Season 2 episodes. Collaborative filmmaking, evolving themes, and star-studded cast enrich series.
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Jul 24, 2020 · Despite the Indian caste system having reduced their community to corpse-burners for generations. Until five years ago, the Doms were not represented in popular media discourse, Bollywood or otherwise. That changed with Neeraj Ghaywan’s Masaan, a story which humanised them in a dehumanising system.
